Friday dawned snowy and bright, and by the time I got around to exploring the corridors of the Bonaventure Hotel, music was already coming from a few scattered rooms. Overnight, more signage and posters had appeared, and an admissions station had been set up in a portion of the hotel's entryway that was relatively clear of construction work: admission is free, of course, but volunteers were busy greeting arrivals and handing out a two-sided map giving the exhibitors' locations. (Since Michel Plante and Sarah Tremblay took over the show, there simply wasn't enough time to create a full-blown show guide.)

And You Scream Into The Night

Gotta have a Robbie!

It was described to me as an “art piece.”

Because my train from Albany, NY arrived ahead of schedule, there was just enough daylight for me to photograph Montreal's Bonaventure Hotel—formerly the Hilton Bonaventure—which, from Friday March 18 through Sunday March 20, is the site of the brand new Montreal Salon Audio. As some of you will recall (see our recent story), Montreal's heretofore long-running Salon Son et Image was "deferred" by its organizers, on account of too few manufacturers and dealers willing to sign up as exhibitors at the once-iconic show. But then the show's previous organizers, Michel Plante and Sarah Tremblay, stepped in and put together this new Montreal show—and the new not-for-profit organization behind it—in less time than it takes most of us to plan a trip to the grocery store.

Until Zenith, the first release on his own label, Inner Voice Jazz, pianist Marc Copland had never played with trumpeter Ralph Alessi, but they prove an ideal match. Joined by bassist Drew Gress (who has long played with both musicians) and drummer Joey Baron (who can play anything with anybody), this might turn out to be a "classic quartet."

What exactly is the message here?

If we live in an economy of ideas, then SXSW interactive is full of them, good, bad and indifferent.