Although the Valve Amplification Company (VAC) system at CES 2016 was virtually identical to the one I blogged at RMAF last October, save for the shrouded TV or mirror, there was a world of difference in the sound. VAC's Kevin Hayes attributed the improvement to a change in tubes in the VAC Phi 170 IQ master preamplifiers ($9900). While the tubes at the earlier show were Russian Gold Lion KT-88, here they were Chinese Shuguang KT-88SC. The sound on the Mahler 9 SACD I played at CES was very, very beautiful.

Monitor Audio has now moved to its second-generation Platinum series loudspeakers, which Monitor presents as "most accurate and beautiful loudspeakers" the company has ever made. Shown was the top-of-the-line, towering PL500 II ($28,995/pair), whose front baffles are hand-upholstered in the same Ingleston leather used in many luxury British brands.

Accuphase's head of engineering, Masaomi Suzuki, introduced the company's new P-7300 flagship class-A/B stereo power amplifier ($32,000). The amp claims ultra-low noise and a super-high damping factor—the clipping power is higher than before, and the amp is 50% quieter than its predecessor—and outputs 125Wpc into 8 ohms. Its versatility extends to outputting 800Wpc into 1 ohm, which means that loudspeakers with challenging, amp-wilting impedance curves should not present insurmountable problems.

We lamentably and most apologetically overlooked the launch of the Burbank-made Ocean Way Sausalito loudspeaker ($31,500/pair) last year. The speaker's face is angled at 10° for time alignment, and the cabinet has an 18-coat polyester finish as well as optional outrigger stands. The speaker is designed to allow the listen to move around the room without loss of imaging.

I was out of audio, teaching and making art, for almost 12 years (2003–2014). During that time, on-line retailer Music Direct acquired the rights and relit the ancient Mobile Fidelity Sound Lab torch. Now both brands are burning more brightly than ever. I picked up the new ½"-thick Music Direct Catalog at CES and it reminded me ever so much of an audiophile version of the soft-porn Bruce Weber created for the Abercrombie & Fitch catalog. The Music Direct catalog (#16) has Grace Slick and Janis Joplin on the cover and tons of crazy (almost-naked) gear inside! I can't stop looking.

In addition to the Cary Audio AiOS, Cary Audio Design was showcasing its elegant DMS-500 network audio player/digital music streamer ($4999), which they claim, is virtually "future-proof."

ELAC America introduced a new 100Wpc, class-A/B integrated amplifier with a switching power supply, the "Debut Series DA101EQ" ($499), which looked so Walter Gropius' Bauhaus: Moderne. I was deeply impressed by its industrial design quotient. Hidden inside its elegant 2.1-channel skin, the ELAC integrated includes an "Auto Blend" control feature that measures the nearfield response of your main speakers and subwoofer and then corrects phrase and adjusts crossover frequency to suit the listener's room.

GoldenEar was showing two new models at CES: the Triton 3+ ($2500/pair) and the larger Triton 2+ ($3500/pair). Both new GoldenEar loudspeakers have powered low-frequency drivers. The Triton 2+ and 3+ models both have new bass-mid drivers, new balanced crossovers, new bass tuning, and "new Triton 1 voicing!" Both models could move and handle like European race cars.

In a second GoldenEar room they had a Jefferson nickel standing on edge on top of the new "Super Sub X" bass speaker ($1249 each).

I talked with Bill Johnson for about 30-minutes, but it was enough to know I was completely enamored with the new Conrad Johnson CA150 integrated amp ($5000, or $7000 for the "ST" version with better parts) and the so-right sounding TEA 2 Triode Equalization Amplifier (aka RIAA phono stage) which costs $3300 stock, or $4500 with Teflon caps.