Monitor Audio was displaying two systems. The first showcased a pair of the company's Studio 89 monitors ($2999/pair, + $799 for Studio 89 stands) and Anthra W12 subwoofer ($3700), fed by a 140Wpc, class-A/B Rotel RAS-5000 integrated amplifier ($3999), while cabling and the component rack, in systems 1 and 2, were by Audience and Norstone, respectively.

The cynical amongst us might say that I began my coverage of Warsaw’s Audio Video 2024 with Polish audio company Ferrum because they were also taking me (and a huge bevy of other press people) out to dinner. While I won’t deny that one of many ways to an audio critic’s heart is through their stomach, my gut reaction to Ferrum has far more to do with its “amazing for the price” sound than its perks.

Another great-sounding room was the one hosted by retailer Vinyl Sound, a name that, as proprietor of the store, you have to live up to—you have to sell turntables!

As much as these blogs mainly focus on products from Polish companies that, for the most part, have–or are en route to having–a presence in the U.S., a few premieres from companies headquartered elsewhere demand attention. Hence, I took a short trip to Paris for the premiere of the second generation of Devialet’s very first product, the Astra integrated amplifier.

Ontario retailer Hearken Audio always showcases systems made up of exotic products usually from distant lands by brands unfamiliar to me that, together, don't fail to be musical standouts at shows.

You know how they say that after a while dog owners start looking like their pets? I doubt it's true, but on the premise that it is, I wonder if the same can be claimed about brand names or store names; example: if you opened the "Best Gear Ever " store, would you, even subconsciously, feel compelled to seek out and sell the best gear? Would you try to resemble the name, to live up to it?