Horn speakers, with their often ridiculously high sensitivity and ear-shocking "jump factor," fascinate many audiophiles. But their sonic flaws can be as big as their musical and technical virtues. The November Stereophile features on its cover and in an extended version of Art Dudley's "Listening" column the Hommage Cinema speaker from German company Auditorium 23, which features remanufactured versions of classic Western Electric compression drivers.

All good things must come to an end…

Did Ted Denney really start out my listening with "Hotel California"?

In the room with the most beautiful speakers, they played Norah Jones…

The last room I visited before the Wes Phillips Memorial, which was hosted in the PS Audio room Friday night of the show, was conveniently, PS Audio's. In my photo, the company's cofounder, fitness freak Paul McGowan, whom his daily email newsletter has revealed to be a talented writer, poses beside the humongous collection of PS Audio gear that was used to drive the Scaena La Maitresse Ultime speakers ($125,000/pair).

At an hour-long Saturday-afternoon press event, jointly sponsored by Wilson and VTL, John Atkinson and I joined others to hear Wilson Audio's Peter McGrath introduce Yvette…

…It's higher up we go…

Or perhaps a duo effort by Chilton and storied Memphis producer Jim Dickinson?

As you can read elsewhere in our RMAF coverage, the incomplete remodeling of the Denver Tech Center Marriott mean that the CanJam exhibits had to be moved to a tent in the hotel parking lot and the seminars and Classic Album Sunday events were held in temporary housing "pods." I wandered into one of the latter to find Channel D's Rob Robinson (above) playing 24/192 rips of LPs on a system featuring a Lynx HiLo digital converter, a Jeff Rowland amplifier, Cardas cables, and Joseph Audio Pearl 3 speakers.

Electronics is electronics, love them or hate them, your choice.