The latest installment in Ivan Fischer's near-complete Mahler cycle for Channel Classics, the Symphony No.3 (CCS SA 38817), renders the myriad beauties of this most wondrous of symphonies into an unforgettable experience. No matter what layer you audition on the two-disc hybrid SACD set, or whichever resolution DSD files you download—I listened in DSD128—you will discover the Budapest Festival Orchestra, Cantemus Children's Choir, Chor des Bayerischen Rundfunks, and alto Gerhild Romberger portrayed in stunning sound, with pounding percussion, cutting brass, tinkly triangles, and celestial children's voices laid out before you in a seamless soundstage.

Better left in the cut-out bins? Rock from the era of one-album wonders.

The English saying "putting the cat among the pigeons" has an obvious meaning in a general sense, but when applied to commerce it conveys something more specific: bringing to market a product that will make mincemeat of the competition, presumed complacent by comparison.

The phrase winked at me from the margins of an e-mail I received last year from Gary Dayton, Bryston Audio's VP of sales and marketing, whom I know from my visits to the Montreal Audio Fest. Referring to my ongoing series of reviews of ca-$10,000 CD players—the best of which one might consider for the title The Last CD Player You'll Ever Buy—Dayton suggested I have a listen to his company's new BCD-3, which retails for the comparatively low price of $3495. I accepted almost at once, and set about adjusting an English saying for a Canadian product: With the BCD-3, has Bryston succeeded in putting the wolverine among the loons?