There seems to be an inexhaustible supply of amplifiers; it's hard to choose which ones to review. Big-name operators are difficult to ignore, while smaller outfits often complain of neglect. In the case of a new and moderately priced introduction from Krell there's no need to find excuses: it's available, it's likely to be important judging from this company's track record, and we'd all like to see just how well it performs.
This review features the KST-100 stereo power amplifier. Initially this product was differentiated from the more expensive Krell components by having an all-black livery. However, as customers showed a preference for Krell's traditional anthracite finish, the KS series is now also available in this finish.
With so many great studio and live recordings of Mahler's three song cycles for solo voice readily available, any new contender has to offer something very special. On their new Pentatone hybrid SACD, Mahler Song Cycles, which is also available as a hi-rez PCM or DSD download in both stereo and surround here and here, mezzo-soprano Alice Coote and the Netherlands Philharmonic Orchestra under Marc Albrecht present interpretations of Lieder eines fahrenden Gesellen (Songs of a Wayfarer), the five Rückert-Lieder (settings of poems by Friedrich Rückert), and Kindertotenlieder (Songs to Dead Children) that can stand up against those of, to mention only a few leading mezzo-sopranos/contraltos of the last 70 years, Kathleen Ferrier, Janet Baker, Christa Ludwig, Brigitte Fassbaender, Anne Sofie Von Otter, and Frederica von Stade.
Massdrop x HiFiMAN HE4XX Planar Magnetic Headphones
Aug 02, 2017
This story originally appeared at InnerFidelity.com
Oh boy. The folks at Massdrop have gone and done it again. Just got their new Massdrop x HiFiMAN HE4XX in for measurements and a quick listen before the drop.
Recording of October 1980: Growing Up In Hollywood Town
Aug 01, 2017First Published:Oct 01, 1980
Lincoln Hayorga and Amanda McBroom: Growing Up In Hollywood Town
Lincoln Hayorga and Amanda McBroom
Sheffield LAB-13 (LP).
This is a gorgeous recording. And would you believe, it's multi-miked? Sheffield's first since 1975, according to the notes. Ms. McBroom has that purity of intonation that once distinguished Julie Andrews' voice. This, plus a predominantly-string backup orchestra delivers a rich, warm sound. Each of the songs here is a gem in its own right, and the collaboration of McBroom and Mayorga creates moments here that are magical. My favorite is the song entitled "Amanda," with its frontier flavor and unadorned lyrics, followed by Mayorga's'waltz, "Wistful Lady."
Manley is not a new company; it's the last name of the president and chief designer of VTL, David Manley, whose Model 300 has been my reference standard power amp for the past two years. In fact, Manley is not even a new brand name; it's the name of VTL's "deluxe" line of electronics, built (ostensibly) to industrial standards of ruggedness and reliability.
It's customary to think of "the tube sound" as being warm, rich, weak through the deep bass, fat through the midbass, forward through the midrange, bright through the middle highs, and soft at the extreme top, with superb rendition of depth and spaciousness. The "solid-state sound," by contrast, is generally thought to be cool, detailed, and pristine, with powerful deep bass, controlled midbass, rather reticent (laid-back) midrange and mid-highs, and a somewhat crisp high end, with variable (roulette-style) reproduction of depth and spatiality.
William Parker Quartets, Meditation / Resurrection
Jul 30, 2017
William Parker, Bronx-born bassist-composer extraordinaire, is one of the few jazz musicians who came up through the avant-garde (making his first big marks as a sideman to Cecil Taylor and David S. Ware) yet manages to fuse its techniques and innovations with standard rhythms, a sense of blues that might have wafted up from the Delta, a dash of wit, and a seemingly effortless swing.
His new two-CD album, Meditation / Resurrection (on the AUM Fidelity label), was recorded in the course of a single day last October, at Brooklyn's System Two Studio by Michael Marciano, who also mixed it live, to give it the feel of a spontaneous set at a club.