When I reviewed the Mark Levinson No.536 monoblock, I said that its sound quality was second to none. However, its stratospheric price of $30,000/pair unnerved me—only seven of the 35 top-rated solid-state power amplifiers listed in the April 2017 edition of Stereophile's "Recommended Components" cost more, and a similar number (not the same models) deliver more power into 8 ohms. "But don't despair," I wrote—"Mark Levinson has just released a less expensive version of the No.536: the dual-mono, 350Wpc No.534 stereo amp ($20,000)." I requested a review sample of the No.534, to see if it matched the No.536's outstanding qualities of build and sound.

For some years now, I've tried to free myself from playing physical media and get all my music organized on a server. It's not that I don't enjoy handling and playing discs, but it's almost impossible to keep track of them. When my collection was only a thousand or two LPs, I felt I could remember each one individually. But now I have several times that many silver discs, and I know I can't.

Cellist Antonio Lysy, whose Yarlung Records recording Antonio Lysy at the Broad won a Latin Grammy for its inclusion of Lalo Schifrin's song "Pampas," has returned with a unique recording of South American-connected compositions and arrangements. Aptly titled South America (YAR80167DSD), the nine compositions honor Astor Piazzolla, Heitor Villa-Lobos, Carlos Gardel, Antonio's violinist father Alberto Lysy, and Argentine bandoneon master Coco Trivisonno. There's even some Brazilian-tinged J.S. Bach and a work by Spanish cellist Pablo Casals.

In a definite sign of the times, Sony Classical is poised to bring the 60-year old classic RCA Victor Living Stereo series to streaming, hi-rez download, and social media platforms. Beginning on Friday April 27, and lasting for two months, Living Stereo playlists—Living Stereo Spectaculars, Living Stereo Top 50, and Living Stereo Deep Cuts among them—will stream on Apple Music, Spotify, and Deezer.

On Saturday April 14, I followed Jason Victor Serinus around AXPONA with my video camera while he played recordings from M•A and John Atkinson.