Peter Perrett: The Cleansing; The Blasters: Over There: Live at the Venue, London – The Complete Concert; Inhaler: Open Wide; Ray Charles: Best of Country & Western; Teddy Swims: I've Tried Everything But Therapy (Part 2).

In front of a passive hallway display in the lobby of the Renaissance Schaumburg Convention Center, Mark Henninger and I caught up with TJ Goldsby, AXISS Audio's vice president of sales and dealer relations, and Takaya Inokuma, senior management director, Accuphase Laboratory. Together, we chatted about the first showing of the brand-new, entry-level Accuphase E-3000 integrated amplifier ($8975). Accuphase's new class-AB integrated outputs 100Wpc into 8 ohms.

“It’s Luxman’s 100th Anniversary,” Stereophile Editor Jim Austin told me in passing. “You’ve got to hear how good the sound is in the Rhythm Distribution room that Luxman shares with Marten and Jorma.”

The Palm Ballroom and adjacent rooms hosted systems from Acora Acoustics, Scott Walker Audio, and VAC—an ambitious collaboration by Valerio Cora, Scott Walker, and Kevin Hayes. The trio presented a range of well-curated systems.

Persistence Pays Off: Audio Research's Best and Sonus faber's jewels Sound Fabulous with dCS, Clearaudio, DS Audio, Innuos, Kubala-Sosna, and Critical Mass

No fewer than five Stereophilers visited Fidelity Imports’ Utopia-D room during AXPONA 2025. I focused on the Audia Flight Strumento No.8 monoblocks ($34,999/each) that had joined forces with Audia Flight’s Strumento No.1 EVO preamplifier ($29,995), an FLS 20 SACD player/streamer ($21,999), and a Flight Phono ($6999).

The story goes that starting in 1962, Malcolm Jones was KEF's "first employee," where he "did most of the design and development of the legendary KEF drive units—the B139, B200, B110, T15, T27—and the systems in which they were incorporated. Malcolm left KEF in 1974, having just completed the Reference Series 104 system and work on an active professional monitor to work full time at Falcon Acoustics Ltd."

Fast-forward a few years. I bought my first BBC LS3/5a in 1980. It was a Falcon Acoustics kit I saw advertised in the back of Speaker Builder magazine. Fingers crossed, I sent a postal money order in a thin Air Mail envelope to what I imagined was a garden shed in England. But of course it wasn't.

“Do you know where the room with Pearl Acoustics Sibelius loudspeakers is?” That question, which greeted Jim Austin and me as we navigated the stairs, grew increasingly common as AXPONA unfolded.