I have flip-flopped between these points of view: that some audio products or technologies are better suited than others to specific styles of music, and that any good product or technology should be equally at home with rock'n'roll, chamber music, large-scale classical, hard bop, techno, ragas—even George Crumb.

At age 19, in my first job as a hi-fi salesman, I was asked to adopt the first of those views. The shop I worked in carried only two loudspeaker lines—EPI and Ultralinear, both long gone—and the owner urged me to push the former on lovers of classical music, and the latter on rock fans. So I did. To paraphrase Jiang Qing, I was the shopkeeper's dog: What he said to bite, I bit.

J.S. Bach: Six Suites for Viola Solo, BWV 1007–1012
Kim Kashkashian, four- & five-string violas
ECM New Series 2553/54 (2 CDs). 2018. Manfred Eicher, prod.; Judy Sherman, eng. DDD. TT: 2:22:35
Performance ****½
Sonics *****

Little is known of the origins of the Solo Suites, usually performed on the cello. No manuscript in Bach's hand survives, and in the copy produced by his second wife, Anna Magdalena, markings for slurs, articulation, and dynamics are sparse even by baroque standards. The suites may actually have been composed for the violoncello da spalla, an instrument smaller than the cello but larger than the viola, and played while held on the shoulder (some modern players use a neckstrap). But what are problems for the musicologist present a world of latitude to the interpreter, in this case master violist Kim Kashkashian, who takes full advantage of them.

The still youthful Danish String Quartet, whose 2016 release on ECM New Series inspired this glowing review in Stereophile, has returned with another hi-rez recording, Prism I (ECM New Series 2561), the first in a projected series of recordings for ECM New Series that will place one of Beethoven's late string quartets in the context of a related fugue by J.S. Bach and another linked quartet.

I've never aspired to owning a BMW 7-series, or a Martin D-45, or a Rolex Submariner: BMW's far less expensive 3-series models capture my imagination by bordering on the affordable, likewise Martin's D-18—and as long as I live, I'll never understand the appeal of expensive wristwatches. Bling's not my thing.

True to form, when I visited the Mytek display at High End 2018, in Munich, my attention was drawn to the brand-new Mytek Liberty DAC and its three-figure price: for $995, one could now own the equivalent of the original Mytek Brooklyn D/A processor, without that model's phono preamp—this according to the company's Adam Bielewicz, who served as my product-line guide on that sunny May day.