<I>September 1997 saw the 35th anniversary of </I>Stereophile<I> magazine, founded by J. Gordon Holt back in 1962. If any interview needs no introduction, this is it. My interview with Gordon was conducted around the kitchen table in Gordon's Boulder, Colorado home over a couple of cold beers. It seemed appropriate to start at the very beginning...</I><BR> <B>J. Gordon Holt:</B> I don't remember when that was.

<I>September 1997 saw the 35th anniversary of </I>Stereophile<I> magazine, founded by J. Gordon Holt back in 1962. If any interview needs no introduction, this is it. My interview with Gordon was conducted around the kitchen table in Gordon's Boulder, Colorado home over a couple of cold beers. It seemed appropriate to start at the very beginning...</I><BR> <B>J. Gordon Holt:</B> I don't remember when that was.

<I>September 1997 saw the 35th anniversary of </I>Stereophile<I> magazine, founded by J. Gordon Holt back in 1962. If any interview needs no introduction, this is it. My interview with Gordon was conducted around the kitchen table in Gordon's Boulder, Colorado home over a couple of cold beers. It seemed appropriate to start at the very beginning...</I><BR> <B>J. Gordon Holt:</B> I don't remember when that was.

A musical highlight for us at <I>Stereophile</I> in 1995 was the opportunity to record several concerts at the world-famous Santa Fe Chamber Music Festival. The result was a <I>Stereophile</I> CD, <A HREF="https://secure.stereophile.com/stereophile/recordings.shtml"><I>Festiva…; (STPH007-2), which features the original chamber version of Aaron Copland's <I>Appalachian Spring</I>, Darius Milhaud's jazz-inspired <I>La cr&#233;ation du monde</I>, and the premiere recording of the 1995 Festival commission, Tomiko Kohjiba's <I>The Transmigration of the Soul</I> (see <I>Stereophile</I>, January 1996, Vol.19 No.1, p.132). We were pleased, therefore, to be asked back by the Festival in 1996. Once again we have produced a CD of live recordings, <I>Serenade</I> (STPH009-2), which features chamber works by Mozart, Brahms, and Dvor&#225;k.

A musical highlight for us at <I>Stereophile</I> in 1995 was the opportunity to record several concerts at the world-famous Santa Fe Chamber Music Festival. The result was a <I>Stereophile</I> CD, <A HREF="https://secure.stereophile.com/stereophile/recordings.shtml"><I>Festiva…; (STPH007-2), which features the original chamber version of Aaron Copland's <I>Appalachian Spring</I>, Darius Milhaud's jazz-inspired <I>La cr&#233;ation du monde</I>, and the premiere recording of the 1995 Festival commission, Tomiko Kohjiba's <I>The Transmigration of the Soul</I> (see <I>Stereophile</I>, January 1996, Vol.19 No.1, p.132). We were pleased, therefore, to be asked back by the Festival in 1996. Once again we have produced a CD of live recordings, <I>Serenade</I> (STPH009-2), which features chamber works by Mozart, Brahms, and Dvor&#225;k.

A musical highlight for us at <I>Stereophile</I> in 1995 was the opportunity to record several concerts at the world-famous Santa Fe Chamber Music Festival. The result was a <I>Stereophile</I> CD, <A HREF="https://secure.stereophile.com/stereophile/recordings.shtml"><I>Festiva…; (STPH007-2), which features the original chamber version of Aaron Copland's <I>Appalachian Spring</I>, Darius Milhaud's jazz-inspired <I>La cr&#233;ation du monde</I>, and the premiere recording of the 1995 Festival commission, Tomiko Kohjiba's <I>The Transmigration of the Soul</I> (see <I>Stereophile</I>, January 1996, Vol.19 No.1, p.132). We were pleased, therefore, to be asked back by the Festival in 1996. Once again we have produced a CD of live recordings, <I>Serenade</I> (STPH009-2), which features chamber works by Mozart, Brahms, and Dvor&#225;k.

A musical highlight for us at <I>Stereophile</I> in 1995 was the opportunity to record several concerts at the world-famous Santa Fe Chamber Music Festival. The result was a <I>Stereophile</I> CD, <A HREF="https://secure.stereophile.com/stereophile/recordings.shtml"><I>Festiva…; (STPH007-2), which features the original chamber version of Aaron Copland's <I>Appalachian Spring</I>, Darius Milhaud's jazz-inspired <I>La cr&#233;ation du monde</I>, and the premiere recording of the 1995 Festival commission, Tomiko Kohjiba's <I>The Transmigration of the Soul</I> (see <I>Stereophile</I>, January 1996, Vol.19 No.1, p.132). We were pleased, therefore, to be asked back by the Festival in 1996. Once again we have produced a CD of live recordings, <I>Serenade</I> (STPH009-2), which features chamber works by Mozart, Brahms, and Dvor&#225;k.

A musical highlight for us at <I>Stereophile</I> in 1995 was the opportunity to record several concerts at the world-famous Santa Fe Chamber Music Festival. The result was a <I>Stereophile</I> CD, <A HREF="https://secure.stereophile.com/stereophile/recordings.shtml"><I>Festiva…; (STPH007-2), which features the original chamber version of Aaron Copland's <I>Appalachian Spring</I>, Darius Milhaud's jazz-inspired <I>La cr&#233;ation du monde</I>, and the premiere recording of the 1995 Festival commission, Tomiko Kohjiba's <I>The Transmigration of the Soul</I> (see <I>Stereophile</I>, January 1996, Vol.19 No.1, p.132). We were pleased, therefore, to be asked back by the Festival in 1996. Once again we have produced a CD of live recordings, <I>Serenade</I> (STPH009-2), which features chamber works by Mozart, Brahms, and Dvor&#225;k.

A musical highlight for us at <I>Stereophile</I> in 1995 was the opportunity to record several concerts at the world-famous Santa Fe Chamber Music Festival. The result was a <I>Stereophile</I> CD, <A HREF="https://secure.stereophile.com/stereophile/recordings.shtml"><I>Festiva…; (STPH007-2), which features the original chamber version of Aaron Copland's <I>Appalachian Spring</I>, Darius Milhaud's jazz-inspired <I>La cr&#233;ation du monde</I>, and the premiere recording of the 1995 Festival commission, Tomiko Kohjiba's <I>The Transmigration of the Soul</I> (see <I>Stereophile</I>, January 1996, Vol.19 No.1, p.132). We were pleased, therefore, to be asked back by the Festival in 1996. Once again we have produced a CD of live recordings, <I>Serenade</I> (STPH009-2), which features chamber works by Mozart, Brahms, and Dvor&#225;k.