A musical highlight for us at <I>Stereophile</I> in 1995 was the opportunity to record several concerts at the world-famous Santa Fe Chamber Music Festival. The result was a <I>Stereophile</I> CD, <A HREF="https://secure.stereophile.com/stereophile/recordings.shtml"><I>Festiva…; (STPH007-2), which features the original chamber version of Aaron Copland's <I>Appalachian Spring</I>, Darius Milhaud's jazz-inspired <I>La cr&#233;ation du monde</I>, and the premiere recording of the 1995 Festival commission, Tomiko Kohjiba's <I>The Transmigration of the Soul</I> (see <I>Stereophile</I>, January 1996, Vol.19 No.1, p.132). We were pleased, therefore, to be asked back by the Festival in 1996. Once again we have produced a CD of live recordings, <I>Serenade</I> (STPH009-2), which features chamber works by Mozart, Brahms, and Dvor&#225;k.

A musical highlight for us at <I>Stereophile</I> in 1995 was the opportunity to record several concerts at the world-famous Santa Fe Chamber Music Festival. The result was a <I>Stereophile</I> CD, <A HREF="https://secure.stereophile.com/stereophile/recordings.shtml"><I>Festiva…; (STPH007-2), which features the original chamber version of Aaron Copland's <I>Appalachian Spring</I>, Darius Milhaud's jazz-inspired <I>La cr&#233;ation du monde</I>, and the premiere recording of the 1995 Festival commission, Tomiko Kohjiba's <I>The Transmigration of the Soul</I> (see <I>Stereophile</I>, January 1996, Vol.19 No.1, p.132). We were pleased, therefore, to be asked back by the Festival in 1996. Once again we have produced a CD of live recordings, <I>Serenade</I> (STPH009-2), which features chamber works by Mozart, Brahms, and Dvor&#225;k.

A musical highlight for us at <I>Stereophile</I> in 1995 was the opportunity to record several concerts at the world-famous Santa Fe Chamber Music Festival. The result was a <I>Stereophile</I> CD, <A HREF="https://secure.stereophile.com/stereophile/recordings.shtml"><I>Festiva…; (STPH007-2), which features the original chamber version of Aaron Copland's <I>Appalachian Spring</I>, Darius Milhaud's jazz-inspired <I>La cr&#233;ation du monde</I>, and the premiere recording of the 1995 Festival commission, Tomiko Kohjiba's <I>The Transmigration of the Soul</I> (see <I>Stereophile</I>, January 1996, Vol.19 No.1, p.132). We were pleased, therefore, to be asked back by the Festival in 1996. Once again we have produced a CD of live recordings, <I>Serenade</I> (STPH009-2), which features chamber works by Mozart, Brahms, and Dvor&#225;k.

A musical highlight for us at <I>Stereophile</I> in 1995 was the opportunity to record several concerts at the world-famous Santa Fe Chamber Music Festival. The result was a <I>Stereophile</I> CD, <A HREF="https://secure.stereophile.com/stereophile/recordings.shtml"><I>Festiva…; (STPH007-2), which features the original chamber version of Aaron Copland's <I>Appalachian Spring</I>, Darius Milhaud's jazz-inspired <I>La cr&#233;ation du monde</I>, and the premiere recording of the 1995 Festival commission, Tomiko Kohjiba's <I>The Transmigration of the Soul</I> (see <I>Stereophile</I>, January 1996, Vol.19 No.1, p.132). We were pleased, therefore, to be asked back by the Festival in 1996. Once again we have produced a CD of live recordings, <I>Serenade</I> (STPH009-2), which features chamber works by Mozart, Brahms, and Dvor&#225;k.

A musical highlight for us at <I>Stereophile</I> in 1995 was the opportunity to record several concerts at the world-famous Santa Fe Chamber Music Festival. The result was a <I>Stereophile</I> CD, <A HREF="https://secure.stereophile.com/stereophile/recordings.shtml"><I>Festiva…; (STPH007-2), which features the original chamber version of Aaron Copland's <I>Appalachian Spring</I>, Darius Milhaud's jazz-inspired <I>La cr&#233;ation du monde</I>, and the premiere recording of the 1995 Festival commission, Tomiko Kohjiba's <I>The Transmigration of the Soul</I> (see <I>Stereophile</I>, January 1996, Vol.19 No.1, p.132). We were pleased, therefore, to be asked back by the Festival in 1996. Once again we have produced a CD of live recordings, <I>Serenade</I> (STPH009-2), which features chamber works by Mozart, Brahms, and Dvor&#225;k.

A musical highlight for us at <I>Stereophile</I> in 1995 was the opportunity to record several concerts at the world-famous Santa Fe Chamber Music Festival. The result was a <I>Stereophile</I> CD, <A HREF="https://secure.stereophile.com/stereophile/recordings.shtml"><I>Festiva…; (STPH007-2), which features the original chamber version of Aaron Copland's <I>Appalachian Spring</I>, Darius Milhaud's jazz-inspired <I>La cr&#233;ation du monde</I>, and the premiere recording of the 1995 Festival commission, Tomiko Kohjiba's <I>The Transmigration of the Soul</I> (see <I>Stereophile</I>, January 1996, Vol.19 No.1, p.132). We were pleased, therefore, to be asked back by the Festival in 1996. Once again we have produced a CD of live recordings, <I>Serenade</I> (STPH009-2), which features chamber works by Mozart, Brahms, and Dvor&#225;k.

A musical highlight for us at <I>Stereophile</I> in 1995 was the opportunity to record several concerts at the world-famous Santa Fe Chamber Music Festival. The result was a <I>Stereophile</I> CD, <A HREF="https://secure.stereophile.com/stereophile/recordings.shtml"><I>Festiva…; (STPH007-2), which features the original chamber version of Aaron Copland's <I>Appalachian Spring</I>, Darius Milhaud's jazz-inspired <I>La cr&#233;ation du monde</I>, and the premiere recording of the 1995 Festival commission, Tomiko Kohjiba's <I>The Transmigration of the Soul</I> (see <I>Stereophile</I>, January 1996, Vol.19 No.1, p.132). We were pleased, therefore, to be asked back by the Festival in 1996. Once again we have produced a CD of live recordings, <I>Serenade</I> (STPH009-2), which features chamber works by Mozart, Brahms, and Dvor&#225;k.

A musical highlight for us at <I>Stereophile</I> in 1995 was the opportunity to record several concerts at the world-famous Santa Fe Chamber Music Festival. The result was a <I>Stereophile</I> CD, <A HREF="https://secure.stereophile.com/stereophile/recordings.shtml"><I>Festiva…; (STPH007-2), which features the original chamber version of Aaron Copland's <I>Appalachian Spring</I>, Darius Milhaud's jazz-inspired <I>La cr&#233;ation du monde</I>, and the premiere recording of the 1995 Festival commission, Tomiko Kohjiba's <I>The Transmigration of the Soul</I> (see <I>Stereophile</I>, January 1996, Vol.19 No.1, p.132). We were pleased, therefore, to be asked back by the Festival in 1996. Once again we have produced a CD of live recordings, <I>Serenade</I> (STPH009-2), which features chamber works by Mozart, Brahms, and Dvor&#225;k.

Pollock, Rothko, Amperex, and Sylvania? Last spring I went to a contemporary art show out on Chicago's Navy Pier. I wanted to get away from things with wires and knobs&mdash;you know, rub elbows with Chicago's better-dressed, sip some wine, maybe practice talking about artistic creations that I usually don't understand ("It's so brutally honest...yet, somehow, still deceptive"). But there's no rest for the weary, confused audiophile. Along with artists, paintings, and sculptures from all over the world, thousands of vacuum tubes had descended on the Pier.

Pollock, Rothko, Amperex, and Sylvania? Last spring I went to a contemporary art show out on Chicago's Navy Pier. I wanted to get away from things with wires and knobs&mdash;you know, rub elbows with Chicago's better-dressed, sip some wine, maybe practice talking about artistic creations that I usually don't understand ("It's so brutally honest...yet, somehow, still deceptive"). But there's no rest for the weary, confused audiophile. Along with artists, paintings, and sculptures from all over the world, thousands of vacuum tubes had descended on the Pier.