In last month's "As We See It," I examined how I decide upon ratings in <I>Stereophile</I>'s biannual "Recommended Components" listing. This leads me to talk about who writes our equipment reports. <I>Stereophile</I> currently has a team of 16 active reviewers. The core are professional: J. Gordon Holt, Robert Harley, Thomas J. Norton, Corey Greenberg, and Martin Colloms. The others—Sam Tellig, Jack English, Robert Deutsch, Don Scott, Jonathan Scull, Larry Greenhill, Dick Olsher, Guy Lemcoe, Lewis Lipnick, and Steven Stone—may be enthusiastic amateurs, but they are amateurs only in the sense that they don't earn their livings from writing. I'm the team's catcher, both calling the game and keeping the stray balls from getting away. Why, then, is it this cast of characters (footnote 1) who gets to cast judgments in stone in my magazine?
<I>"Everyone I know used to sit in front of the stereo and listen to music...Now no one I know, except for us lunatics, listens to music the way one would watch a movie on TV."</I>—from The Audiophile Network
<I>"Everyone I know used to sit in front of the stereo and listen to music...Now no one I know, except for us lunatics, listens to music the way one would watch a movie on TV."</I>—from The Audiophile Network
Everyone's going crazy for single-ended power amplifiers. What's the big deal? What is it about these relatively low-powered contraptions that could make everybody so nutso? And has Pass Labs' Nelson Pass completely lost his marbles, selling a 30Wpc amplifier for a price that can buy a high-quality 200Wpc amp? Isn't that 200W amp seven times as loud—and seven times as <I>good</I>—as a 30W amp?
Everyone's going crazy for single-ended power amplifiers. What's the big deal? What is it about these relatively low-powered contraptions that could make everybody so nutso? And has Pass Labs' Nelson Pass completely lost his marbles, selling a 30Wpc amplifier for a price that can buy a high-quality 200Wpc amp? Isn't that 200W amp seven times as loud—and seven times as <I>good</I>—as a 30W amp?
Pass Labs Aleph 3 power amplifier Sonic Frontiers Power-1 comparison
Everyone's going crazy for single-ended power amplifiers. What's the big deal? What is it about these relatively low-powered contraptions that could make everybody so nutso? And has Pass Labs' Nelson Pass completely lost his marbles, selling a 30Wpc amplifier for a price that can buy a high-quality 200Wpc amp? Isn't that 200W amp seven times as loud—and seven times as <I>good</I>—as a 30W amp?
Pass Labs Aleph 3 power amplifier JA listens to the Aleph 3
Everyone's going crazy for single-ended power amplifiers. What's the big deal? What is it about these relatively low-powered contraptions that could make everybody so nutso? And has Pass Labs' Nelson Pass completely lost his marbles, selling a 30Wpc amplifier for a price that can buy a high-quality 200Wpc amp? Isn't that 200W amp seven times as loud—and seven times as <I>good</I>—as a 30W amp?
Everyone's going crazy for single-ended power amplifiers. What's the big deal? What is it about these relatively low-powered contraptions that could make everybody so nutso? And has Pass Labs' Nelson Pass completely lost his marbles, selling a 30Wpc amplifier for a price that can buy a high-quality 200Wpc amp? Isn't that 200W amp seven times as loud—and seven times as <I>good</I>—as a 30W amp?
Everyone's going crazy for single-ended power amplifiers. What's the big deal? What is it about these relatively low-powered contraptions that could make everybody so nutso? And has Pass Labs' Nelson Pass completely lost his marbles, selling a 30Wpc amplifier for a price that can buy a high-quality 200Wpc amp? Isn't that 200W amp seven times as loud—and seven times as <I>good</I>—as a 30W amp?