You might recall that ditty from childhood about the little engine that could (I <I>think</I> I can, I <I>think</I> I can, I <I>think</I> I can...). It's an apt metaphor for high-end audio. In traversing the aural sepulchers of last winter's Consumer Electronics Show and the summer's HI-FI Show, I routinely encountered one divine sound system after another. Yet while I never tire of transcendent sonics, eventually I become inured to the procession of celestial, cost-no-object speakers. It's like having a white-light experience, then returning to the gritty reality of life on earth, where for most of us cost is not merely the object, but the determining factor in finding an optimal balance among audio components.

You might recall that ditty from childhood about the little engine that could (I <I>think</I> I can, I <I>think</I> I can, I <I>think</I> I can...). It's an apt metaphor for high-end audio. In traversing the aural sepulchers of last winter's Consumer Electronics Show and the summer's HI-FI Show, I routinely encountered one divine sound system after another. Yet while I never tire of transcendent sonics, eventually I become inured to the procession of celestial, cost-no-object speakers. It's like having a white-light experience, then returning to the gritty reality of life on earth, where for most of us cost is not merely the object, but the determining factor in finding an optimal balance among audio components.

Cleveland's WMMS-FM built an enormous following of loyal fans by cranking out a steady stream of rock'n'roll---a stream now 30 years old. "The Buzzard," as the station at 100.7MHz is known, rode the wave of rock's ascendancy, and pioneered the classic rock format---one instantly recognizable by the heavy rotation of the recordings of such groups as Led Zeppelin, the Rolling Stones, Pink Floyd, the Allman Brothers, Aerosmith, Bruce Springsteen, the Cars, Kansas, Boston, and Journey. Every major city in the United States has at least one such station. Throughout the '70s, '80s, and '90s, WMMS won generations of rock fans with its midday concerts and kept them tuned in with its unwavering dedication to heavy rock. The station was instrumental in winning the Rock'n'Roll Hall of Fame and Museum for the city of Cleveland.

For the past three weeks (see <A HREF="http://www.stereophile.com/news/10291/">previous article</A>) we've been reporting on the troubled plight of <A HREF="http://www.diamondmm.com">Diamond Multimedia</A>'s new Rio portable MP3 audio player. Announced in grand fashion by Diamond several months back, the <A HREF="http://www.riaa.com">Recording Industry Association of America</A> (RIAA) quickly set its sights on the device, and fired what it hoped would be a fatal shot in the form of an injunction. The RIAA appeared to have succeeded until last week, when US Central District Court California Judge Audrey Collins reversed her initial ruling from 10 days earlier of an injunction, paving the way for the product's release this month. Both the RIAA and the Alliance of Artists and Recording Companies (AARC) are planning an appeal.

The Internet is having a startling effect on radio, as evidenced by a new report released by <A HREF="http://www.arbitron.com">The Arbitron Company</A>, entitled "Arbitron Internet Listening Study: Radio in the New Media World." Arbitron concludes "that Internet broadcasting is a fast-growing medium which presents both challenges and opportunities for radio broadcasters."

Hot on the heels of a favorable RIAA/Rio decision (see <A HREF="http://www.stereophile.com/news/10299/">related story</A>), five of the pioneers in the rapidly expanding market for downloadable music---<A HREF="http://www.goodnoise.com">GoodNoise Corp.</A>, <A HREF="http://www.mp3.com">MP3.com</A&gt;, <A HREF="http://www.musicmatch.com">MusicMatch</A&gt;, <A HREF="http://www.xingtech.com">Xing Technology Corp.</A>, and <A HREF="http://www.diamondmm.com">Diamond Multimedia</A> Systems, Inc.---announced the formation of the MP3 Association, an industry trade group focused on the "continued evolution and adoption of the MP3 (MPEG 1 or 2, Layer 3) standard." The Association will focus on three primary goals: promoting MP3 technology as the next-generation digital music format, educating consumers about MP3 and its legal use, and opening new creative avenues for musicians and developers.

More European music lovers will soon be able to enjoy the offerings of Music Choice, a leading provider of audio and data services. Zug, Switzerland-based <A HREF="http://www.fantastic.com/">The Fantastic Corporation</A> announced an agreement October 28 with Music Choice that will expand the musical options for computer-equipped music fans in Great Britain, Italy, Germany, Switzerland, and other countries.

When Petersen Publishing purchased Stereophile, Inc.'s assets on June 1 of this year (see <A HREF="http://www.stereophile.com/news/10183/">previous story</A>,) previous co-owners Larry Archibald and John Atkinson remained with the magazine. Whereas JA's responsibilities as <I>Stereophile</I> editor have remained the same as they had been, Larry Archibald's position changed considerably. He retained his masthead title of publisher (with the December issue it changes to "publisher emeritus"), but in reality, Larry has been more like "magazine spokesman and general factotum" since the purchase.