The Revel Ultima Studios came to me by chance. I'd wanted to review Revel's high-value Performa F-30&mdash;see my <A HREF="http://www.stereophile.com//loudspeakerreviews/244/">May 2000 report</A>&mdash;but the Studio was offered instead. By the time a pair of Studios had arrived, however, the F-30s were also on their way, and the Studios were put on the back burner. Because of the mix-up, I thought the Studios would be freebies&mdash;just listen for a while and send 'em back. I am now obliged to do the honest thing and fess up in public: Many months have passed and the Studios are still here.

The Revel Ultima Studios came to me by chance. I'd wanted to review Revel's high-value Performa F-30&mdash;see my <A HREF="http://www.stereophile.com//loudspeakerreviews/244/">May 2000 report</A>&mdash;but the Studio was offered instead. By the time a pair of Studios had arrived, however, the F-30s were also on their way, and the Studios were put on the back burner. Because of the mix-up, I thought the Studios would be freebies&mdash;just listen for a while and send 'em back. I am now obliged to do the honest thing and fess up in public: Many months have passed and the Studios are still here.

In the ongoing audiophile debate over the relative merits of solid-state <I>vs</I> tube amplification, compelling cases can be made for the overall musicality of both methods. And while there's a lot to be said for the dynamic headroom, bass focus, clarity, frequency extension, and silent performance of solid-state gear, it's funny how much you can come to miss the aural verities of tube electronics after a prolonged absence.

In the ongoing audiophile debate over the relative merits of solid-state <I>vs</I> tube amplification, compelling cases can be made for the overall musicality of both methods. And while there's a lot to be said for the dynamic headroom, bass focus, clarity, frequency extension, and silent performance of solid-state gear, it's funny how much you can come to miss the aural verities of tube electronics after a prolonged absence.

In the ongoing audiophile debate over the relative merits of solid-state <I>vs</I> tube amplification, compelling cases can be made for the overall musicality of both methods. And while there's a lot to be said for the dynamic headroom, bass focus, clarity, frequency extension, and silent performance of solid-state gear, it's funny how much you can come to miss the aural verities of tube electronics after a prolonged absence.

In the ongoing audiophile debate over the relative merits of solid-state <I>vs</I> tube amplification, compelling cases can be made for the overall musicality of both methods. And while there's a lot to be said for the dynamic headroom, bass focus, clarity, frequency extension, and silent performance of solid-state gear, it's funny how much you can come to miss the aural verities of tube electronics after a prolonged absence.

In the ongoing audiophile debate over the relative merits of solid-state <I>vs</I> tube amplification, compelling cases can be made for the overall musicality of both methods. And while there's a lot to be said for the dynamic headroom, bass focus, clarity, frequency extension, and silent performance of solid-state gear, it's funny how much you can come to miss the aural verities of tube electronics after a prolonged absence.

In the ongoing audiophile debate over the relative merits of solid-state <I>vs</I> tube amplification, compelling cases can be made for the overall musicality of both methods. And while there's a lot to be said for the dynamic headroom, bass focus, clarity, frequency extension, and silent performance of solid-state gear, it's funny how much you can come to miss the aural verities of tube electronics after a prolonged absence.

In the ongoing audiophile debate over the relative merits of solid-state <I>vs</I> tube amplification, compelling cases can be made for the overall musicality of both methods. And while there's a lot to be said for the dynamic headroom, bass focus, clarity, frequency extension, and silent performance of solid-state gear, it's funny how much you can come to miss the aural verities of tube electronics after a prolonged absence.

In the ongoing audiophile debate over the relative merits of solid-state <I>vs</I> tube amplification, compelling cases can be made for the overall musicality of both methods. And while there's a lot to be said for the dynamic headroom, bass focus, clarity, frequency extension, and silent performance of solid-state gear, it's funny how much you can come to miss the aural verities of tube electronics after a prolonged absence.