Perhaps SACD has yet to reach critical mass in terms of consumer and industry acceptance, but halfway through 2002, it appears to be getting closer to that goal. Along with Sony and Philips (Universal Music), EMI is on board, as are many smaller, sound-conscious independent labels such as Chesky, Analogue Productions, Telarc, DMP, Rounder, Opus 3, Songlines, and the resurrected Mobile Fidelity Sound Lab. For now, DVD-Audio, with its screen-driven menus, doesn't appear to be an attractive option for audiophiles not interested in merging audio with video. Perhaps the future will bring universal two- and multichannel playback devices equipped with LCD screens that actually live up to both formats' sonic potential, but I don't believe that day won't dawn any time soon.

Perhaps SACD has yet to reach critical mass in terms of consumer and industry acceptance, but halfway through 2002, it appears to be getting closer to that goal. Along with Sony and Philips (Universal Music), EMI is on board, as are many smaller, sound-conscious independent labels such as Chesky, Analogue Productions, Telarc, DMP, Rounder, Opus 3, Songlines, and the resurrected Mobile Fidelity Sound Lab. For now, DVD-Audio, with its screen-driven menus, doesn't appear to be an attractive option for audiophiles not interested in merging audio with video. Perhaps the future will bring universal two- and multichannel playback devices equipped with LCD screens that actually live up to both formats' sonic potential, but I don't believe that day won't dawn any time soon.

Perhaps SACD has yet to reach critical mass in terms of consumer and industry acceptance, but halfway through 2002, it appears to be getting closer to that goal. Along with Sony and Philips (Universal Music), EMI is on board, as are many smaller, sound-conscious independent labels such as Chesky, Analogue Productions, Telarc, DMP, Rounder, Opus 3, Songlines, and the resurrected Mobile Fidelity Sound Lab. For now, DVD-Audio, with its screen-driven menus, doesn't appear to be an attractive option for audiophiles not interested in merging audio with video. Perhaps the future will bring universal two- and multichannel playback devices equipped with LCD screens that actually live up to both formats' sonic potential, but I don't believe that day won't dawn any time soon.

Perhaps SACD has yet to reach critical mass in terms of consumer and industry acceptance, but halfway through 2002, it appears to be getting closer to that goal. Along with Sony and Philips (Universal Music), EMI is on board, as are many smaller, sound-conscious independent labels such as Chesky, Analogue Productions, Telarc, DMP, Rounder, Opus 3, Songlines, and the resurrected Mobile Fidelity Sound Lab. For now, DVD-Audio, with its screen-driven menus, doesn't appear to be an attractive option for audiophiles not interested in merging audio with video. Perhaps the future will bring universal two- and multichannel playback devices equipped with LCD screens that actually live up to both formats' sonic potential, but I don't believe that day won't dawn any time soon.

Perhaps SACD has yet to reach critical mass in terms of consumer and industry acceptance, but halfway through 2002, it appears to be getting closer to that goal. Along with Sony and Philips (Universal Music), EMI is on board, as are many smaller, sound-conscious independent labels such as Chesky, Analogue Productions, Telarc, DMP, Rounder, Opus 3, Songlines, and the resurrected Mobile Fidelity Sound Lab. For now, DVD-Audio, with its screen-driven menus, doesn't appear to be an attractive option for audiophiles not interested in merging audio with video. Perhaps the future will bring universal two- and multichannel playback devices equipped with LCD screens that actually live up to both formats' sonic potential, but I don't believe that day won't dawn any time soon.

Perhaps SACD has yet to reach critical mass in terms of consumer and industry acceptance, but halfway through 2002, it appears to be getting closer to that goal. Along with Sony and Philips (Universal Music), EMI is on board, as are many smaller, sound-conscious independent labels such as Chesky, Analogue Productions, Telarc, DMP, Rounder, Opus 3, Songlines, and the resurrected Mobile Fidelity Sound Lab. For now, DVD-Audio, with its screen-driven menus, doesn't appear to be an attractive option for audiophiles not interested in merging audio with video. Perhaps the future will bring universal two- and multichannel playback devices equipped with LCD screens that actually live up to both formats' sonic potential, but I don't believe that day won't dawn any time soon.

Though each link in the audio chain is significant in its own way, we seem to spend more time agonizing over the choice and setup of loudspeakers than any other component. Floorstanding or stand-mounted? Full-range frequency extension or minimonitor coherence? Multiple-driver complexity or two-way simplicity? Pleasurable and forgiving or resolved and revealing? And even when money is no object, how much speaker do you really want...or need? It might sound splendid in the shop, but how will it couple with your room? How will it integrate with your other gear? Is it easy to set up and drive or will it involve specialized gear and a massive overhaul of your current rig?

Though each link in the audio chain is significant in its own way, we seem to spend more time agonizing over the choice and setup of loudspeakers than any other component. Floorstanding or stand-mounted? Full-range frequency extension or minimonitor coherence? Multiple-driver complexity or two-way simplicity? Pleasurable and forgiving or resolved and revealing? And even when money is no object, how much speaker do you really want...or need? It might sound splendid in the shop, but how will it couple with your room? How will it integrate with your other gear? Is it easy to set up and drive or will it involve specialized gear and a massive overhaul of your current rig?

Though each link in the audio chain is significant in its own way, we seem to spend more time agonizing over the choice and setup of loudspeakers than any other component. Floorstanding or stand-mounted? Full-range frequency extension or minimonitor coherence? Multiple-driver complexity or two-way simplicity? Pleasurable and forgiving or resolved and revealing? And even when money is no object, how much speaker do you really want...or need? It might sound splendid in the shop, but how will it couple with your room? How will it integrate with your other gear? Is it easy to set up and drive or will it involve specialized gear and a massive overhaul of your current rig?

Though each link in the audio chain is significant in its own way, we seem to spend more time agonizing over the choice and setup of loudspeakers than any other component. Floorstanding or stand-mounted? Full-range frequency extension or minimonitor coherence? Multiple-driver complexity or two-way simplicity? Pleasurable and forgiving or resolved and revealing? And even when money is no object, how much speaker do you really want...or need? It might sound splendid in the shop, but how will it couple with your room? How will it integrate with your other gear? Is it easy to set up and drive or will it involve specialized gear and a massive overhaul of your current rig?