The Home Technology & Photography Group (HT&P) of Primedia and website <A HREF="http://BestStuff.com">BestStuff.com</A&gt; announced today the launch of <I>Best</I>, a shopping magazine focused on the products and experiences that enhance an upscale lifestyle. <I>Best</I>, which hits newsstands on Thursday, November 6 at a $3.99 cover price, is an "aspirational" magazine which offers features ranging from the selection and use of home theaters and high-end audio and video systems, to digital photography, computers, and video imaging products, as well as the finest in automobiles and ultimate travel suggestions.

From the May 2002 issue, Michael Fremer positions the <A HREF="http://www.stereophile.com/showarchives.cgi?951">Odeon La Traviata loudspeaker</A> in his listening lair, writing, "Interest in super-efficient, horn-loaded, compression-driver loudspeakers has grown in the past few years." But as MF finds, horns may not always do the trick.

<B>MAHLER: Symphony 10 <I>First Performing Version by Deryck Cooke</I></B><BR> Eliahu Inbal, Frankfurt RSO<BR>Denon CO-75129 (CD only). Yoshiharu Kawaguchi, Richard Hauck, prods.; Detlev Kittler, eng. DDD. TT: 70:59

Loudspeakers are all about balancing conflicting variables: accepting that you can't have electrostatic transparency <I>and</I> horn dynamics; finding something to suit the size of your room <I>and</I> credit rating; and picking the best all-around compromise to suit your particular taste. Goldilocks had the right attitude for loudspeaker reviewing. All that too-soft/too-hard, too-hot/too-cold merely sets the scene; "just right" goes straight to the heart of the matter.

Loudspeakers are all about balancing conflicting variables: accepting that you can't have electrostatic transparency <I>and</I> horn dynamics; finding something to suit the size of your room <I>and</I> credit rating; and picking the best all-around compromise to suit your particular taste. Goldilocks had the right attitude for loudspeaker reviewing. All that too-soft/too-hard, too-hot/too-cold merely sets the scene; "just right" goes straight to the heart of the matter.

Loudspeakers are all about balancing conflicting variables: accepting that you can't have electrostatic transparency <I>and</I> horn dynamics; finding something to suit the size of your room <I>and</I> credit rating; and picking the best all-around compromise to suit your particular taste. Goldilocks had the right attitude for loudspeaker reviewing. All that too-soft/too-hard, too-hot/too-cold merely sets the scene; "just right" goes straight to the heart of the matter.

Loudspeakers are all about balancing conflicting variables: accepting that you can't have electrostatic transparency <I>and</I> horn dynamics; finding something to suit the size of your room <I>and</I> credit rating; and picking the best all-around compromise to suit your particular taste. Goldilocks had the right attitude for loudspeaker reviewing. All that too-soft/too-hard, too-hot/too-cold merely sets the scene; "just right" goes straight to the heart of the matter.

Loudspeakers are all about balancing conflicting variables: accepting that you can't have electrostatic transparency <I>and</I> horn dynamics; finding something to suit the size of your room <I>and</I> credit rating; and picking the best all-around compromise to suit your particular taste. Goldilocks had the right attitude for loudspeaker reviewing. All that too-soft/too-hard, too-hot/too-cold merely sets the scene; "just right" goes straight to the heart of the matter.

Loudspeakers are all about balancing conflicting variables: accepting that you can't have electrostatic transparency <I>and</I> horn dynamics; finding something to suit the size of your room <I>and</I> credit rating; and picking the best all-around compromise to suit your particular taste. Goldilocks had the right attitude for loudspeaker reviewing. All that too-soft/too-hard, too-hot/too-cold merely sets the scene; "just right" goes straight to the heart of the matter.