The real-time spectrum analyzer (RTA) has long been one of the audio professional's most useful tools. Until about a decade ago, good RTAs consisted of separate signal generators, calibrated microphones, and bulky oscilloscopes. Then some manufacturers began offering handheld RTAs with inboard microphones and LED or LCD screens.
Corporate consolidation has been likened to gravity: an inexorable, hard-to-resist force of nature always lurking in the background. <A HREF="http://www.dm-holdings.com">D&M Holdings</A>, parent company of Denon and Marantz Japan, has clearly felt its effects, announcing last week its latest acquisition: <A HREF="http://www.mcintoshlabs.com">McIntosh Laboratory</A>.
John Atkinson finishes his survey of pricey floor-standing speakers with a review of the <A HREF="http://www.stereophile.com//loudspeakerreviews/794/">Dynaudio Confidence C4 loudspeaker</A>. JA notes that, "despite its $16,000/pair price, the C4 has much in common with its cost-no-object cousins in Dynaudio's Evidence line."
Mergers and acquisitions are among the oldest tactics for commercial ventures that want to increase their power and presence. They are also increasingly popular in the non-commercial sector, according to a March 14 Associated Press report.
Judging absolute sound quality under the unfamiliar circumstances of an audio show is always fraught with difficulty. If a system sounds bad, there are so many possible reasons for it to do so that pointing a finger of blame at the components is possibly unfair. Conversely, when a room sounds good at a show, it is probable that the components being used deserve some recognition. Such was the case at Home Entertainment 2002 in New York last May, when Dynaudio's Confidence C4 made its debut.
Judging absolute sound quality under the unfamiliar circumstances of an audio show is always fraught with difficulty. If a system sounds bad, there are so many possible reasons for it to do so that pointing a finger of blame at the components is possibly unfair. Conversely, when a room sounds good at a show, it is probable that the components being used deserve some recognition. Such was the case at Home Entertainment 2002 in New York last May, when Dynaudio's Confidence C4 made its debut.
Dynaudio Confidence C4 loudspeaker Wes Phillips, March 2007
Judging absolute sound quality under the unfamiliar circumstances of an audio show is always fraught with difficulty. If a system sounds bad, there are so many possible reasons for it to do so that pointing a finger of blame at the components is possibly unfair. Conversely, when a room sounds good at a show, it is probable that the components being used deserve some recognition. Such was the case at Home Entertainment 2002 in New York last May, when Dynaudio's Confidence C4 made its debut.
Judging absolute sound quality under the unfamiliar circumstances of an audio show is always fraught with difficulty. If a system sounds bad, there are so many possible reasons for it to do so that pointing a finger of blame at the components is possibly unfair. Conversely, when a room sounds good at a show, it is probable that the components being used deserve some recognition. Such was the case at Home Entertainment 2002 in New York last May, when Dynaudio's Confidence C4 made its debut.
Judging absolute sound quality under the unfamiliar circumstances of an audio show is always fraught with difficulty. If a system sounds bad, there are so many possible reasons for it to do so that pointing a finger of blame at the components is possibly unfair. Conversely, when a room sounds good at a show, it is probable that the components being used deserve some recognition. Such was the case at Home Entertainment 2002 in New York last May, when Dynaudio's Confidence C4 made its debut.
Judging absolute sound quality under the unfamiliar circumstances of an audio show is always fraught with difficulty. If a system sounds bad, there are so many possible reasons for it to do so that pointing a finger of blame at the components is possibly unfair. Conversely, when a room sounds good at a show, it is probable that the components being used deserve some recognition. Such was the case at Home Entertainment 2002 in New York last May, when Dynaudio's Confidence C4 made its debut.