Autumn comes to the Cherry Valley Feed & Seed. The 50-lb sacks of sawgrass and lime give way to mulch and sand for local drives, and the swing sets and folding chairs and posthole diggers and bug zappers and flagpoles have been brought inside until next spring, which is scheduled for mid-June.

Autumn comes to the Cherry Valley Feed & Seed. The 50-lb sacks of sawgrass and lime give way to mulch and sand for local drives, and the swing sets and folding chairs and posthole diggers and bug zappers and flagpoles have been brought inside until next spring, which is scheduled for mid-June.

Audiophiles once took it as given that LPs sounded better than CDs&mdash;end of discussion. Things are no longer so cut-and-dried. In my seven years as a contributing editor to <I>Stereophile</I>, I've seen an enormous improvement in the quality of digital software and playback-delivery systems. The early-1980s recording and remastering anomalies that made listening to early digital recordings so fatiguing are largely things of the past, though advocates of massive compression, jacked-up gain, and compensatory EQ ("Sounds-better-on-cheap-radios," they dully chant) continue to sully the waters of natural resolution.

Audiophiles once took it as given that LPs sounded better than CDs&mdash;end of discussion. Things are no longer so cut-and-dried. In my seven years as a contributing editor to <I>Stereophile</I>, I've seen an enormous improvement in the quality of digital software and playback-delivery systems. The early-1980s recording and remastering anomalies that made listening to early digital recordings so fatiguing are largely things of the past, though advocates of massive compression, jacked-up gain, and compensatory EQ ("Sounds-better-on-cheap-radios," they dully chant) continue to sully the waters of natural resolution.

Audiophiles once took it as given that LPs sounded better than CDs&mdash;end of discussion. Things are no longer so cut-and-dried. In my seven years as a contributing editor to <I>Stereophile</I>, I've seen an enormous improvement in the quality of digital software and playback-delivery systems. The early-1980s recording and remastering anomalies that made listening to early digital recordings so fatiguing are largely things of the past, though advocates of massive compression, jacked-up gain, and compensatory EQ ("Sounds-better-on-cheap-radios," they dully chant) continue to sully the waters of natural resolution.

Audiophiles once took it as given that LPs sounded better than CDs&mdash;end of discussion. Things are no longer so cut-and-dried. In my seven years as a contributing editor to <I>Stereophile</I>, I've seen an enormous improvement in the quality of digital software and playback-delivery systems. The early-1980s recording and remastering anomalies that made listening to early digital recordings so fatiguing are largely things of the past, though advocates of massive compression, jacked-up gain, and compensatory EQ ("Sounds-better-on-cheap-radios," they dully chant) continue to sully the waters of natural resolution.

Audiophiles once took it as given that LPs sounded better than CDs&mdash;end of discussion. Things are no longer so cut-and-dried. In my seven years as a contributing editor to <I>Stereophile</I>, I've seen an enormous improvement in the quality of digital software and playback-delivery systems. The early-1980s recording and remastering anomalies that made listening to early digital recordings so fatiguing are largely things of the past, though advocates of massive compression, jacked-up gain, and compensatory EQ ("Sounds-better-on-cheap-radios," they dully chant) continue to sully the waters of natural resolution.

John Atkinson gets his mitts on the <A HREF="http://www.stereophile.com/loudspeakerreviews/1103psb">PSB Platinum T8 loudspeaker</A> and remarks that "talented loudspeaker engineers do not stand still, and neither do the resources and technology available to them." Does PSB's new flagship design live up to JA's expectations? All is revealed.

One of the visual highlights of the 2003 Consumer Electronics Show and HE 2003 in San Francisco was the <A HREF="http://www.penaudio.fi">Penaudio</A&gt; speakers, sporting a unique sliced-wood veneer wrapped around diminutive two-way designs. While the speakers were easy on the eyes, it wasn't so easy to find a pair to audition in the US.