I was trading e-mails with Roger Sanders, manufacturer of the Eros Mk.III electrostatic (ESL) loudspeakers, when it occurred to me to ask him about his name. I was struck that he had the same last name as Gayle Sanders, president of another American electrostatic speaker company, MartinLogan. Were they related? "No," replied Roger Sanders, "it's simply a coincidence that we have similar names. I've never even met him.

I was trading e-mails with Roger Sanders, manufacturer of the Eros Mk.III electrostatic (ESL) loudspeakers, when it occurred to me to ask him about his name. I was struck that he had the same last name as Gayle Sanders, president of another American electrostatic speaker company, MartinLogan. Were they related? "No," replied Roger Sanders, "it's simply a coincidence that we have similar names. I've never even met him.

I was trading e-mails with Roger Sanders, manufacturer of the Eros Mk.III electrostatic (ESL) loudspeakers, when it occurred to me to ask him about his name. I was struck that he had the same last name as Gayle Sanders, president of another American electrostatic speaker company, MartinLogan. Were they related? "No," replied Roger Sanders, "it's simply a coincidence that we have similar names. I've never even met him.

The best tonearm I ever heard was a second-generation Mission Mechanic, <I>ca</I> 1986. It was mounted on a Roksan Xerxes turntable, and I spent several happy hours listening to records on that combination (with a low-compliance EMT cartridge) in two very different systems: one with solid-state amplification from DNM and Roksan's own dynamic Darius loudspeakers, and the other&mdash;my home system of the time&mdash;using tube amplification from Conrad-Johnson and a borrowed pair of Stax electrostatic speakers.

The best tonearm I ever heard was a second-generation Mission Mechanic, <I>ca</I> 1986. It was mounted on a Roksan Xerxes turntable, and I spent several happy hours listening to records on that combination (with a low-compliance EMT cartridge) in two very different systems: one with solid-state amplification from DNM and Roksan's own dynamic Darius loudspeakers, and the other&mdash;my home system of the time&mdash;using tube amplification from Conrad-Johnson and a borrowed pair of Stax electrostatic speakers.

The best tonearm I ever heard was a second-generation Mission Mechanic, <I>ca</I> 1986. It was mounted on a Roksan Xerxes turntable, and I spent several happy hours listening to records on that combination (with a low-compliance EMT cartridge) in two very different systems: one with solid-state amplification from DNM and Roksan's own dynamic Darius loudspeakers, and the other&mdash;my home system of the time&mdash;using tube amplification from Conrad-Johnson and a borrowed pair of Stax electrostatic speakers.

The best tonearm I ever heard was a second-generation Mission Mechanic, <I>ca</I> 1986. It was mounted on a Roksan Xerxes turntable, and I spent several happy hours listening to records on that combination (with a low-compliance EMT cartridge) in two very different systems: one with solid-state amplification from DNM and Roksan's own dynamic Darius loudspeakers, and the other&mdash;my home system of the time&mdash;using tube amplification from Conrad-Johnson and a borrowed pair of Stax electrostatic speakers.

The best tonearm I ever heard was a second-generation Mission Mechanic, <I>ca</I> 1986. It was mounted on a Roksan Xerxes turntable, and I spent several happy hours listening to records on that combination (with a low-compliance EMT cartridge) in two very different systems: one with solid-state amplification from DNM and Roksan's own dynamic Darius loudspeakers, and the other&mdash;my home system of the time&mdash;using tube amplification from Conrad-Johnson and a borrowed pair of Stax electrostatic speakers.

The best tonearm I ever heard was a second-generation Mission Mechanic, <I>ca</I> 1986. It was mounted on a Roksan Xerxes turntable, and I spent several happy hours listening to records on that combination (with a low-compliance EMT cartridge) in two very different systems: one with solid-state amplification from DNM and Roksan's own dynamic Darius loudspeakers, and the other&mdash;my home system of the time&mdash;using tube amplification from Conrad-Johnson and a borrowed pair of Stax electrostatic speakers.

The best tonearm I ever heard was a second-generation Mission Mechanic, <I>ca</I> 1986. It was mounted on a Roksan Xerxes turntable, and I spent several happy hours listening to records on that combination (with a low-compliance EMT cartridge) in two very different systems: one with solid-state amplification from DNM and Roksan's own dynamic Darius loudspeakers, and the other&mdash;my home system of the time&mdash;using tube amplification from Conrad-Johnson and a borrowed pair of Stax electrostatic speakers.