To an outsider, it might have appeared as though we were mimicking each other's movements. Perhaps it even seemed as though a mirror had been magically raised upwards alongside my body to reflect my motions and thoughts and buying habits.

Although some won't openly admit it, plenty of audiophiles with nice systems also own iPods. And they are not alone. According to figures recently revealed by the <A HREF="http://www.CE.org">Consumer Electronics Association</A>, more than 152 million Americans, representing 70% of the total US adult population, own some kind of portable entertainment device.

The Milwaukee Symphony Orchestra announced the launch of its new e-label, MSO Classics, on October 4. In a worldwide digital distribution deal with IODA, the Independent Online Distribution Alliance, the symphony will draw on its archive of over 300 live performances recorded between 1970 and 2005 for airing on its nationally disseminated radio broadcasts.

English loudspeaker manufacturer Monitor Audio has mined a rich vein with their exclusive 6&#189;" metal-cone driver, which covers a range from the bass to the midrange. MA designs using this drive-unit have fared well in these pages, ranging from the Monitor Audio Studio 6 minimonitor (<A HREF="http://www.stereophile.com/standloudspeakers/910">reviewed by JA</A> in February '94, Vol.17 No.2) to the floorstanding Studio 20 (reviewed by RH in December '91, Vol.14 No.12, and by ST in April '92, Vol.15 No.4).

English loudspeaker manufacturer Monitor Audio has mined a rich vein with their exclusive 6&#189;" metal-cone driver, which covers a range from the bass to the midrange. MA designs using this drive-unit have fared well in these pages, ranging from the Monitor Audio Studio 6 minimonitor (<A HREF="http://www.stereophile.com/standloudspeakers/910">reviewed by JA</A> in February '94, Vol.17 No.2) to the floorstanding Studio 20 (reviewed by RH in December '91, Vol.14 No.12, and by ST in April '92, Vol.15 No.4).

English loudspeaker manufacturer Monitor Audio has mined a rich vein with their exclusive 6&#189;" metal-cone driver, which covers a range from the bass to the midrange. MA designs using this drive-unit have fared well in these pages, ranging from the Monitor Audio Studio 6 minimonitor (<A HREF="http://www.stereophile.com/standloudspeakers/910">reviewed by JA</A> in February '94, Vol.17 No.2) to the floorstanding Studio 20 (reviewed by RH in December '91, Vol.14 No.12, and by ST in April '92, Vol.15 No.4).

English loudspeaker manufacturer Monitor Audio has mined a rich vein with their exclusive 6&#189;" metal-cone driver, which covers a range from the bass to the midrange. MA designs using this drive-unit have fared well in these pages, ranging from the Monitor Audio Studio 6 minimonitor (<A HREF="http://www.stereophile.com/standloudspeakers/910">reviewed by JA</A> in February '94, Vol.17 No.2) to the floorstanding Studio 20 (reviewed by RH in December '91, Vol.14 No.12, and by ST in April '92, Vol.15 No.4).

English loudspeaker manufacturer Monitor Audio has mined a rich vein with their exclusive 6&#189;" metal-cone driver, which covers a range from the bass to the midrange. MA designs using this drive-unit have fared well in these pages, ranging from the Monitor Audio Studio 6 minimonitor (<A HREF="http://www.stereophile.com/standloudspeakers/910">reviewed by JA</A> in February '94, Vol.17 No.2) to the floorstanding Studio 20 (reviewed by RH in December '91, Vol.14 No.12, and by ST in April '92, Vol.15 No.4).