Part New Jersey diner, part Wurlitzer jukebox, with a snakelike tonearm that at certain angles looks vaguely lewd, this boxy, man-sized creation from Australia <I>seems</I> to have been built around its distinctive looks rather than for any functional purpose. Combine that with its sky-high price—itself almost obscene—and the result is apparently the sort of product that envious, cynical, self-loathing audiophiles love to hate, and reviewers love to write about.
Part New Jersey diner, part Wurlitzer jukebox, with a snakelike tonearm that at certain angles looks vaguely lewd, this boxy, man-sized creation from Australia <I>seems</I> to have been built around its distinctive looks rather than for any functional purpose. Combine that with its sky-high price—itself almost obscene—and the result is apparently the sort of product that envious, cynical, self-loathing audiophiles love to hate, and reviewers love to write about.
Mark Levinson No.326S line preamplifier Measurements
Conceptually, the preamplifier is the bottleneck in an audio system. All sources pass through it, and it influences every sound you hear. A system comprising great speakers and gutsy amplification will sound uninspired if that's the character of the preamplifier. Conversely, a great preamplifier will allow through so much information, so much of the music, that the listener can forgive the shortcomings of lesser speakers and amplifiers.
Mark Levinson No.326S line preamplifier Associated Equipment
Conceptually, the preamplifier is the bottleneck in an audio system. All sources pass through it, and it influences every sound you hear. A system comprising great speakers and gutsy amplification will sound uninspired if that's the character of the preamplifier. Conversely, a great preamplifier will allow through so much information, so much of the music, that the listener can forgive the shortcomings of lesser speakers and amplifiers.
Mark Levinson No.326S line preamplifier Specifications
Conceptually, the preamplifier is the bottleneck in an audio system. All sources pass through it, and it influences every sound you hear. A system comprising great speakers and gutsy amplification will sound uninspired if that's the character of the preamplifier. Conversely, a great preamplifier will allow through so much information, so much of the music, that the listener can forgive the shortcomings of lesser speakers and amplifiers.
Conceptually, the preamplifier is the bottleneck in an audio system. All sources pass through it, and it influences every sound you hear. A system comprising great speakers and gutsy amplification will sound uninspired if that's the character of the preamplifier. Conversely, a great preamplifier will allow through so much information, so much of the music, that the listener can forgive the shortcomings of lesser speakers and amplifiers.
Recording of January 2006: Wagner: Tristan und Isolde
Jan 14, 2006
WAGNER: <I>Tristan und Isolde</I><BR>
Plácido Domingo, Tristan; Nina Stemme, Isolde; Mihoko Fujimura, Brangäne; René Pape, Marke; Olaf Bär, Kurwenal; Jared Holt, Melot; Ian Bostridge, Shepherd; Matthew Rose, Steersman; Rolando Villazón, A Young Sailor; Orchestra & Chorus of the Royal Opera House, Covent Garden; Antonio Pappano<BR>
EMI 5 58006 2 (3 CDs, 1 DVD). 2005. David Groves, prod.; Jonathan Allen, John Dunkerly, Roland Heap, engs. DDD. TT: 3:46:29<BR>
Performance *****<BR>
Sonics ****½
John Atkinson, in several posts on the topic of subjective testing in another post, has presented arguments so void of logic that I must respond. In this comparison of medical, wine, and other blind testing to audio, he wrote, "[The item] being tested is the direct effect of the stimulus. With audio, you must test the stimulus indirectly, through its effect on music." He then goes on to talk about test signals and other issues that can only lead to a reasonable response of,
John Atkinson, in several posts on the topic of subjective testing in another post, has presented arguments so void of logic that I must respond. In this comparison of medical, wine, and other blind testing to audio, he wrote, "[The item] being tested is the direct effect of the stimulus. With audio, you must test the stimulus indirectly, through its effect on music." He then goes on to talk about test signals and other issues that can only lead to a reasonable response of,