Continuum Audio Labs Caliburn turntable & Cobra tonearm Page 2

Continuum Audio Labs Caliburn turntable & Cobra tonearm Page 2

Part New Jersey diner, part Wurlitzer jukebox, with a snakelike tonearm that at certain angles looks vaguely lewd, this boxy, man-sized creation from Australia <I>seems</I> to have been built around its distinctive looks rather than for any functional purpose. Combine that with its sky-high price&mdash;itself almost obscene&mdash;and the result is apparently the sort of product that envious, cynical, self-loathing audiophiles love to hate, and reviewers love to write about.

Continuum Audio Laboratories
US distributor: Signals SuperFi LLC
Atlanta, GA
(678) 528-8077
www.signals-superfi.com

Continuum Audio Labs Caliburn turntable & Cobra tonearm

Continuum Audio Labs Caliburn turntable & Cobra tonearm

Part New Jersey diner, part Wurlitzer jukebox, with a snakelike tonearm that at certain angles looks vaguely lewd, this boxy, man-sized creation from Australia <I>seems</I> to have been built around its distinctive looks rather than for any functional purpose. Combine that with its sky-high price&mdash;itself almost obscene&mdash;and the result is apparently the sort of product that envious, cynical, self-loathing audiophiles love to hate, and reviewers love to write about.

Mark Levinson No.326S line preamplifier Measurements

Mark Levinson No.326S line preamplifier Measurements

Conceptually, the preamplifier is the bottleneck in an audio system. All sources pass through it, and it influences every sound you hear. A system comprising great speakers and gutsy amplification will sound uninspired if that's the character of the preamplifier. Conversely, a great preamplifier will allow through so much information, so much of the music, that the listener can forgive the shortcomings of lesser speakers and amplifiers.

Harman Specialty Group
3 Oak Park Drive
Bedford, MA 01730-1413
(781) 280-0300
www.marklevinson.com

Mark Levinson No.326S line preamplifier Associated Equipment

Mark Levinson No.326S line preamplifier Associated Equipment

Conceptually, the preamplifier is the bottleneck in an audio system. All sources pass through it, and it influences every sound you hear. A system comprising great speakers and gutsy amplification will sound uninspired if that's the character of the preamplifier. Conversely, a great preamplifier will allow through so much information, so much of the music, that the listener can forgive the shortcomings of lesser speakers and amplifiers.

Harman Specialty Group
3 Oak Park Drive
Bedford, MA 01730-1413
(781) 280-0300
www.marklevinson.com

Mark Levinson No.326S line preamplifier Specifications

Mark Levinson No.326S line preamplifier Specifications

Conceptually, the preamplifier is the bottleneck in an audio system. All sources pass through it, and it influences every sound you hear. A system comprising great speakers and gutsy amplification will sound uninspired if that's the character of the preamplifier. Conversely, a great preamplifier will allow through so much information, so much of the music, that the listener can forgive the shortcomings of lesser speakers and amplifiers.

Harman Specialty Group
3 Oak Park Drive
Bedford, MA 01730-1413
(781) 280-0300
www.marklevinson.com

Mark Levinson No.326S line preamplifier

Mark Levinson No.326S line preamplifier

Conceptually, the preamplifier is the bottleneck in an audio system. All sources pass through it, and it influences every sound you hear. A system comprising great speakers and gutsy amplification will sound uninspired if that's the character of the preamplifier. Conversely, a great preamplifier will allow through so much information, so much of the music, that the listener can forgive the shortcomings of lesser speakers and amplifiers.

Recording of January 2006: Wagner: Tristan und Isolde

Recording of January 2006: Wagner: Tristan und Isolde

WAGNER: <I>Tristan und Isolde</I><BR>
Pl&#225;cido Domingo, Tristan; Nina Stemme, Isolde; Mihoko Fujimura, Brang&#228;ne; Ren&#233; Pape, Marke; Olaf B&#228;r, Kurwenal; Jared Holt, Melot; Ian Bostridge, Shepherd; Matthew Rose, Steersman; Rolando Villaz&#243;n, A Young Sailor; Orchestra & Chorus of the Royal Opera House, Covent Garden; Antonio Pappano<BR>
EMI 5 58006 2 (3 CDs, 1 DVD). 2005. David Groves, prod.; Jonathan Allen, John Dunkerly, Roland Heap, engs. DDD. TT: 3:46:29<BR>
Performance *****<BR>
Sonics ****&#189;

John Atkinson on subjective testing

John Atkinson, in several posts on the topic of subjective testing in another post, has presented arguments so void of logic that I must respond. In this comparison of medical, wine, and other blind testing to audio, he wrote, "[The item] being tested is the direct effect of the stimulus. With audio, you must test the stimulus indirectly, through its effect on music." He then goes on to talk about test signals and other issues that can only lead to a reasonable response of,

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