If the rumors are true, Amazon, the giant Internet retailer of books, recordings, videos, and just about everything else, is about to embark upon a music subscription service—complete with Amazon-branded music players at a deep discount, or perhaps even for free.
Just received this issue the other day and it is a really nice effort - except for one detail: there are no Jazz releases reviewed! Not one? You couldn't muster a single review? This bugs me, not just because I believe that you have some fantastic Jazz writers on staff, including Thomas Conrad and Dan Ouellete (neither of whom has ever led me astray in any purchase I've ever made, I should add), but because I subscibe to your magazine to be regularly informed about new releases in the three genres you usually review.
The penultimate stop on Bob Reina's British Invasion Tour of Affordable Loudspeakers (footnote 1) brings us to the doors of KEF. Although KEF is a large and well-established British firm, I've noticed that their product lines have not been as visible in the US as those of, say, B&W, Wharfedale, or Mission. In fact, the last time I heard a KEF speaker, it was the company's then-flagship design, at a Consumer Electronics Show nearly 20 years ago! Before that, when I lived in London, KEFs were ubiquitous, down to the older, entry-level designs tacked to the walls of the ethnic restaurants I frequented. My strongest KEF memory is a cumulative one: Every KEF speaker I've ever heard, regardless of price, venue, or setup, has always produced good, convincing sound.
The penultimate stop on Bob Reina's British Invasion Tour of Affordable Loudspeakers (footnote 1) brings us to the doors of KEF. Although KEF is a large and well-established British firm, I've noticed that their product lines have not been as visible in the US as those of, say, B&W, Wharfedale, or Mission. In fact, the last time I heard a KEF speaker, it was the company's then-flagship design, at a Consumer Electronics Show nearly 20 years ago! Before that, when I lived in London, KEFs were ubiquitous, down to the older, entry-level designs tacked to the walls of the ethnic restaurants I frequented. My strongest KEF memory is a cumulative one: Every KEF speaker I've ever heard, regardless of price, venue, or setup, has always produced good, convincing sound.
The penultimate stop on Bob Reina's British Invasion Tour of Affordable Loudspeakers (footnote 1) brings us to the doors of KEF. Although KEF is a large and well-established British firm, I've noticed that their product lines have not been as visible in the US as those of, say, B&W, Wharfedale, or Mission. In fact, the last time I heard a KEF speaker, it was the company's then-flagship design, at a Consumer Electronics Show nearly 20 years ago! Before that, when I lived in London, KEFs were ubiquitous, down to the older, entry-level designs tacked to the walls of the ethnic restaurants I frequented. My strongest KEF memory is a cumulative one: Every KEF speaker I've ever heard, regardless of price, venue, or setup, has always produced good, convincing sound.
The penultimate stop on Bob Reina's British Invasion Tour of Affordable Loudspeakers (footnote 1) brings us to the doors of KEF. Although KEF is a large and well-established British firm, I've noticed that their product lines have not been as visible in the US as those of, say, B&W, Wharfedale, or Mission. In fact, the last time I heard a KEF speaker, it was the company's then-flagship design, at a Consumer Electronics Show nearly 20 years ago! Before that, when I lived in London, KEFs were ubiquitous, down to the older, entry-level designs tacked to the walls of the ethnic restaurants I frequented. My strongest KEF memory is a cumulative one: Every KEF speaker I've ever heard, regardless of price, venue, or setup, has always produced good, convincing sound.
About once a week, I hear about some new audio accessory heralded by breathless claims of stunning performance gains that "you've got to hear for yourself." Most of these I ignore, and of those I do consider, nearly all wither when subjected to logical engineering analysis. Every so often, however, one of these wonder widgets finds its way into my system.
About once a week, I hear about some new audio accessory heralded by breathless claims of stunning performance gains that "you've got to hear for yourself." Most of these I ignore, and of those I do consider, nearly all wither when subjected to logical engineering analysis. Every so often, however, one of these wonder widgets finds its way into my system.
About once a week, I hear about some new audio accessory heralded by breathless claims of stunning performance gains that "you've got to hear for yourself." Most of these I ignore, and of those I do consider, nearly all wither when subjected to logical engineering analysis. Every so often, however, one of these wonder widgets finds its way into my system.
Just received this issue the other day and it is a really nice effort - except for one detail: there are no Jazz releases reviewed! Not one? You couldn't muster a single review? This bugs me, not just because I believe that you have some fantastic Jazz writers on staff, including Thomas Conrad and Dan Ouellete (neither of whom has ever led me astray in any purchase I've ever made, I should add), but because I subscibe to your magazine to be regularly informed about new releases in the three genres you usually review.