"Crossovers? We don't need no stinkin' crossovers!" Most <I>Stereophile</I> readers probably feel this way when it comes to third-party electronic crossovers. In this day of proprietary "soup-to-nuts" speaker systems, nearly all manufacturers supply complete systems. Nevertheless, some brave (or foolish) souls still choose to sail in uncharted crossover waters. Most do so because they're insanely in love with their current speakers, and have an irrational desire for that last bottom octave. Others have "orphaned" speakers that are not readily upgradeable to the next level of performance. I fall into the second category.

"Crossovers? We don't need no stinkin' crossovers!" Most <I>Stereophile</I> readers probably feel this way when it comes to third-party electronic crossovers. In this day of proprietary "soup-to-nuts" speaker systems, nearly all manufacturers supply complete systems. Nevertheless, some brave (or foolish) souls still choose to sail in uncharted crossover waters. Most do so because they're insanely in love with their current speakers, and have an irrational desire for that last bottom octave. Others have "orphaned" speakers that are not readily upgradeable to the next level of performance. I fall into the second category.

"Crossovers? We don't need no stinkin' crossovers!" Most <I>Stereophile</I> readers probably feel this way when it comes to third-party electronic crossovers. In this day of proprietary "soup-to-nuts" speaker systems, nearly all manufacturers supply complete systems. Nevertheless, some brave (or foolish) souls still choose to sail in uncharted crossover waters. Most do so because they're insanely in love with their current speakers, and have an irrational desire for that last bottom octave. Others have "orphaned" speakers that are not readily upgradeable to the next level of performance. I fall into the second category.

"Crossovers? We don't need no stinkin' crossovers!" Most <I>Stereophile</I> readers probably feel this way when it comes to third-party electronic crossovers. In this day of proprietary "soup-to-nuts" speaker systems, nearly all manufacturers supply complete systems. Nevertheless, some brave (or foolish) souls still choose to sail in uncharted crossover waters. Most do so because they're insanely in love with their current speakers, and have an irrational desire for that last bottom octave. Others have "orphaned" speakers that are not readily upgradeable to the next level of performance. I fall into the second category.

"Crossovers? We don't need no stinkin' crossovers!" Most <I>Stereophile</I> readers probably feel this way when it comes to third-party electronic crossovers. In this day of proprietary "soup-to-nuts" speaker systems, nearly all manufacturers supply complete systems. Nevertheless, some brave (or foolish) souls still choose to sail in uncharted crossover waters. Most do so because they're insanely in love with their current speakers, and have an irrational desire for that last bottom octave. Others have "orphaned" speakers that are not readily upgradeable to the next level of performance. I fall into the second category.

"Crossovers? We don't need no stinkin' crossovers!" Most <I>Stereophile</I> readers probably feel this way when it comes to third-party electronic crossovers. In this day of proprietary "soup-to-nuts" speaker systems, nearly all manufacturers supply complete systems. Nevertheless, some brave (or foolish) souls still choose to sail in uncharted crossover waters. Most do so because they're insanely in love with their current speakers, and have an irrational desire for that last bottom octave. Others have "orphaned" speakers that are not readily upgradeable to the next level of performance. I fall into the second category.

As I said during the 1991 <I>Stereophile</I> writers' conference (<A HREF="http://www.stereophile.com/interviews/109">Vol.14 No.12</A>): "There's immense satisfaction in finding that next Audible Illusions or Vandersteen or Rotel." My oh my, am I satisfied! But before you start writing checks, hold onto those pens for a few moments. The PSB Alphas are not ProAc, Hales, Quad, or even Vandersteen killers. Goodness, what do you expect for $200?

As I said during the 1991 <I>Stereophile</I> writers' conference (<A HREF="http://www.stereophile.com/interviews/109">Vol.14 No.12</A>): "There's immense satisfaction in finding that next Audible Illusions or Vandersteen or Rotel." My oh my, am I satisfied! But before you start writing checks, hold onto those pens for a few moments. The PSB Alphas are not ProAc, Hales, Quad, or even Vandersteen killers. Goodness, what do you expect for $200?

As I said during the 1991 <I>Stereophile</I> writers' conference (<A HREF="http://www.stereophile.com/interviews/109">Vol.14 No.12</A>): "There's immense satisfaction in finding that next Audible Illusions or Vandersteen or Rotel." My oh my, am I satisfied! But before you start writing checks, hold onto those pens for a few moments. The PSB Alphas are not ProAc, Hales, Quad, or even Vandersteen killers. Goodness, what do you expect for $200?