Yes! Find out that it's a lot harder than you think to make a vinyl record. Best part: Incorrectly centering the disc. (Most record presses do a pretty good job of this.)

So I don't mind if you think I'm a hopeless dweeb for loving last night's <I>West Wing</I>. After all, when I asked my flight attendant for a special service on Saturday, I said, "you'll probably lose all respect for me . . . ."

If you read <I>Stereophile</I>'s audio news regularly, you'll frequently see items such as <I>XYZ Audio Acquired by Megalomart, Inc.</I> Have you ever wondered about what that really means? I haven't, and I <I>write</I> those stories. Heck, now that I think about it, over the last eight years, <I>Stereophile</I> has even <I>lived</I> one of those stories.

<I>Jamo's jammin':</I> At the 2006 Consumer Electronics Show (CES), <I>Stereophile</I> was entranced by the look of <A HREF="http://www.jamo.com/">Jamo</A>'s striking reference R 909 "open baffle" loudspeaker ($14,999/pair). The dipolar high-gloss R 909 (available in black, red, or yellow) dispenses with the conventional box enclosure, mounting two 15" (380mm) woofers, a proprietary 5.5" (150mm) hard-conical cone (HCC) midrange, and a 1" (25mm) ScanSpeak Revelator tweeter into its raked-back front baffle, which is reinforced by a "flying" rib that lends it rigidity.

Back in the day, one of the first reviews to be posted in our free online archives at www.stereophile.com was Michael Fremer's June 1999 report on the <A HREF="http://www.stereophile.com/floorloudspeakers/139">Sonus Faber Amati Homage</A> loudspeaker. The Amati was the second in the Italian manufacturer's top range, the Homage line, which is dedicated to the master makers of stringed instruments of 17th-century Cremona. The first was the Guarneri Homage (<A HREF="http://www.stereophile.com/standloudspeakers/487">reviewed by Martin Colloms</A> in July 1994), while the third was the Stradivari Homage (<A HREF="http://www.stereophile.com/floorloudspeakers/105sonus">reviewed by MF</A> in January 2005). Mikey was so impressed by the Amati that he purchased the review samples and used them as his reference for almost three years.

Back in the day, one of the first reviews to be posted in our free online archives at www.stereophile.com was Michael Fremer's June 1999 report on the <A HREF="http://www.stereophile.com/floorloudspeakers/139">Sonus Faber Amati Homage</A> loudspeaker. The Amati was the second in the Italian manufacturer's top range, the Homage line, which is dedicated to the master makers of stringed instruments of 17th-century Cremona. The first was the Guarneri Homage (<A HREF="http://www.stereophile.com/standloudspeakers/487">reviewed by Martin Colloms</A> in July 1994), while the third was the Stradivari Homage (<A HREF="http://www.stereophile.com/floorloudspeakers/105sonus">reviewed by MF</A> in January 2005). Mikey was so impressed by the Amati that he purchased the review samples and used them as his reference for almost three years.

Back in the day, one of the first reviews to be posted in our free online archives at www.stereophile.com was Michael Fremer's June 1999 report on the <A HREF="http://www.stereophile.com/floorloudspeakers/139">Sonus Faber Amati Homage</A> loudspeaker. The Amati was the second in the Italian manufacturer's top range, the Homage line, which is dedicated to the master makers of stringed instruments of 17th-century Cremona. The first was the Guarneri Homage (<A HREF="http://www.stereophile.com/standloudspeakers/487">reviewed by Martin Colloms</A> in July 1994), while the third was the Stradivari Homage (<A HREF="http://www.stereophile.com/floorloudspeakers/105sonus">reviewed by MF</A> in January 2005). Mikey was so impressed by the Amati that he purchased the review samples and used them as his reference for almost three years.