When, at the beginning of this century, the market profile of the high-end Mark Levinson brand took a dip due to the parent company's reorganization, one of the companies that took advantage of the opportunity was Class&#233; Audio. Founded in 1980 by engineer Dave Reich (now with Theta Digital) and run by engineer-entrepreneur Mike Viglas since the mid-1980s, the Canadian electronics manufacturer's Omega line of high-end <A HREF="http://www.stereophile.com/solidpoweramps/878">amplifiers</A&gt; and <A HREF="http://www.stereophile.com/solidpreamps/132">preamps</A&gt; had universally impressed <I>Stereophile</I>'s scribes, and its Omega SACD player (<A HREF="http://www.stereophile.com/hirezplayers/474">reviewed</A&gt; by Jonathan Scull in November 2001) was the first such product to come from a North American company.

When, at the beginning of this century, the market profile of the high-end Mark Levinson brand took a dip due to the parent company's reorganization, one of the companies that took advantage of the opportunity was Class&#233; Audio. Founded in 1980 by engineer Dave Reich (now with Theta Digital) and run by engineer-entrepreneur Mike Viglas since the mid-1980s, the Canadian electronics manufacturer's Omega line of high-end <A HREF="http://www.stereophile.com/solidpoweramps/878">amplifiers</A&gt; and <A HREF="http://www.stereophile.com/solidpreamps/132">preamps</A&gt; had universally impressed <I>Stereophile</I>'s scribes, and its Omega SACD player (<A HREF="http://www.stereophile.com/hirezplayers/474">reviewed</A&gt; by Jonathan Scull in November 2001) was the first such product to come from a North American company.

When, at the beginning of this century, the market profile of the high-end Mark Levinson brand took a dip due to the parent company's reorganization, one of the companies that took advantage of the opportunity was Class&#233; Audio. Founded in 1980 by engineer Dave Reich (now with Theta Digital) and run by engineer-entrepreneur Mike Viglas since the mid-1980s, the Canadian electronics manufacturer's Omega line of high-end <A HREF="http://www.stereophile.com/solidpoweramps/878">amplifiers</A&gt; and <A HREF="http://www.stereophile.com/solidpreamps/132">preamps</A&gt; had universally impressed <I>Stereophile</I>'s scribes, and its Omega SACD player (<A HREF="http://www.stereophile.com/hirezplayers/474">reviewed</A&gt; by Jonathan Scull in November 2001) was the first such product to come from a North American company.

When, at the beginning of this century, the market profile of the high-end Mark Levinson brand took a dip due to the parent company's reorganization, one of the companies that took advantage of the opportunity was Class&#233; Audio. Founded in 1980 by engineer Dave Reich (now with Theta Digital) and run by engineer-entrepreneur Mike Viglas since the mid-1980s, the Canadian electronics manufacturer's Omega line of high-end <A HREF="http://www.stereophile.com/solidpoweramps/878">amplifiers</A&gt; and <A HREF="http://www.stereophile.com/solidpreamps/132">preamps</A&gt; had universally impressed <I>Stereophile</I>'s scribes, and its Omega SACD player (<A HREF="http://www.stereophile.com/hirezplayers/474">reviewed</A&gt; by Jonathan Scull in November 2001) was the first such product to come from a North American company.

John &#214;tv&#246;s, the father of Waveform Research Inc. and The Waveform Loudspeaker, hesitates not at inviting ultracritical examination: "The Waveform is the most accurate, the best, forward-firing loudspeaker in the world." Period. Reviewers, of course, welcome such statements, and I'll be examining that one, but I'll also try to answer the inherent reviewing question of whether the Waveform is a good place for you to park $9800 on your way to "the highest of high-end sound" (that was our slogan for the first Santa Monica High End Hi-Fi Show).

John &#214;tv&#246;s, the father of Waveform Research Inc. and The Waveform Loudspeaker, hesitates not at inviting ultracritical examination: "The Waveform is the most accurate, the best, forward-firing loudspeaker in the world." Period. Reviewers, of course, welcome such statements, and I'll be examining that one, but I'll also try to answer the inherent reviewing question of whether the Waveform is a good place for you to park $9800 on your way to "the highest of high-end sound" (that was our slogan for the first Santa Monica High End Hi-Fi Show).