The P-8 ($11,000) is the second of Simaudio's Moon Evolution series that has passed through my system, following on the heels of the Moon Evolution W-8 power amplifier, which I <A HREF="http://www.stereophile.com/solidpoweramps/306sim">reviewed in March 2006</A>. Fortunately, the P-8's arrival preceded the W-8's departure, so I was able to use them together as well as with other components.

The P-8 ($11,000) is the second of Simaudio's Moon Evolution series that has passed through my system, following on the heels of the Moon Evolution W-8 power amplifier, which I <A HREF="http://www.stereophile.com/solidpoweramps/306sim">reviewed in March 2006</A>. Fortunately, the P-8's arrival preceded the W-8's departure, so I was able to use them together as well as with other components.

The P-8 ($11,000) is the second of Simaudio's Moon Evolution series that has passed through my system, following on the heels of the Moon Evolution W-8 power amplifier, which I <A HREF="http://www.stereophile.com/solidpoweramps/306sim">reviewed in March 2006</A>. Fortunately, the P-8's arrival preceded the W-8's departure, so I was able to use them together as well as with other components.

The P-8 ($11,000) is the second of Simaudio's Moon Evolution series that has passed through my system, following on the heels of the Moon Evolution W-8 power amplifier, which I <A HREF="http://www.stereophile.com/solidpoweramps/306sim">reviewed in March 2006</A>. Fortunately, the P-8's arrival preceded the W-8's departure, so I was able to use them together as well as with other components.

The P-8 ($11,000) is the second of Simaudio's Moon Evolution series that has passed through my system, following on the heels of the Moon Evolution W-8 power amplifier, which I <A HREF="http://www.stereophile.com/solidpoweramps/306sim">reviewed in March 2006</A>. Fortunately, the P-8's arrival preceded the W-8's departure, so I was able to use them together as well as with other components.

The single most enduring <A HREF="http://www.stereophile.com/asweseeit/406awsi">controversy</A&gt; in audio is: What method or methods should we use to evaluate the performance of audio equipment?

<B>ONE FOR ALL: <I>The Lineup</I></B><BR>
Eric Alexander, tenor sax; Jim Rotondi, trumpet, flugelhorn; Steve Davis, trombone; David Hazeltine, piano, Fender Rhodes; John Webber, bass; Joe Farnsworth, drums<BR>
Sharp Nine CD 1037-2 (CD). 2006. Marc Edelman, prod.; Katherine Miller, eng. DDD. TT: 57:42<BR>
Performance <B>****&#189;</B><BR>
Sonics <B>****</B>

<A HREF="http://www.stereophile.com/musicrecordings/1206cantus"><I>There Lies the Home</I></A>, the sixth CD of Minnesotan male-voice choir Cantus recorded by <I>Stereophile</I> editor John Atkinson, is released this week.