Glossary

Since JGH began Stereophile, words having little to do with audio components and measurements have become the common subjective language of audiophiles and reviewers when trying to describe the sound qualities perceived from a component or system. Some words have become favorites of particular writers, such as ST and his "palpable presence", while others have come and gone in usage as more words have been needed to describe fewer problem areas and a greater ability to replicate the live experience in our homes. Or, at least, we hope that's the result.

Art Dudley and amplifiers

Forums

I offer my sympathies, Toussaint. That anyone should believe Art Dudley owes an explanation for so-called "conflicting" appraisals of two pieces of equipment reviewed over a period of years is pathetic. That anyone would expect the typical reader of Stereophile to recall, in detail, a minor equipment review from three years ago is plain silly. That anyone, who presumably auditioned various amps would choose a Creek is merely sad. Best of luck to you.

Who Says Jazz Isn't Commercial?

Who Says Jazz Isn't Commercial?

The ad team at Dolce & Gabbana seems to think it can be. Would Charles Mingus’ “Moanin’” become a best-seller if more people knew it sounded so cool—or if the millions who watched <A HREF="http://www.youtube.com/watch?v=HMWofLZ6gH8">this TV commercial</A> knew that’s what they were hearing? Could it be that jazz just needs shrewder marketing? (The whole song can be heard on Mingus’ great 1959 album, <I>Blues & Roots</I>.)

Mee-Yow!

Mee-Yow!

Alexis Petridis reviews Paris Hilton's debut record. "She sings like a woman who has heard of something called singing, can't be sure of exactly what it might entail, but is fairly certain you do something a bit like this."

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