The Warsaw Audio Show, officially titled “Audio Video Show 2022"—the second largest audio in Europe—is set to begin today, October 28. Up at 6:20AM yesterday in Paris; flight to Poland with us the only masked passengers; Uber through traffic traffic traffic to the Radisson Sobieski Blu hotel boom boom; and off to a tour of the Ferrum Audio Factory.

Some audio experiences stick in your memory. For me, one such was in 1978, which I reminisced about in a 1987 review for Stereophile of the Mission PCM 7000 CD player, Mission 780 Argonaut loudspeaker, and Cyrus Two integrated amplifier. Mission founder Farad Azima (footnote 1) was a driving force in the UK audio scene in the late 1970s, when I was deputy editor of the English magazine Hi-Fi News & Record Review.

Whenever I install a new, in-for-review DAC, after some amount of spaced-out not-listening listening I find myself just sitting there, being happy I got the damn thing working. Once I recover from the stress of installation, my brain begins, without prompting, to examine the character of sound coming out of my speakers.

The Toronto Audiofest 2022 may not have been the busiest audio show I've attended, but it was still a success. It had plenty of new product launches, great-sounding rooms, and a good amount of traffic, especially on Saturday, when seats became a hot commodity in many exhibit rooms.

Like at the last Toronto Audiofest, I listened to two of EQ Audio's main systems that were setup at both ends mirror-image-like along the length of the back wall of their huge, subdivided exhibit space. One system included another North American premiere!—the Monitor Audio 3-way PL200 3G speakers ($17,500/pair)—the second system consisted of a pair of Focal Sopra No.3 speakers ($33,798/pair) and electronics by Musical Fidelity.