<I>The following was submitted as a letter to <A HREF="http://www.stereophile.com/interviews/66">J. Gordon Holt</A>, in response to his Editorial "<A HREF="http://www.stereophile.com/asweseeit/882awsi">Digital Revenge</A>," in issue #53 (August 1982, Vol.5 No.6). We are publishing it as a guest editorial, because the writer is one of the few audio people whose judgement we respect who disagrees with us about digital's merits. The feeling, it would seem, is mutual.</I>&mdash;<B>Ed.</B>

Many audiophiles will look back on the summer of 1982 as the year the creeping cruds invaded their hallowed halls of hi-fi. In the Conrad Hilton hotel, where most of the high-end contingent gathered at the June 1982 Consumer Electronics Show, one exhibitor was featuring a videodisc presentation with wide-range audio and insisting that this was the way of the future. And at least three others had managed to smuggle in digital tape recorders (all Sony PCM-F1s), and were giving many CES visitors their first taste of real, unadulterated, digital reproduction.

Question: What is it that almost every audiophile takes for granted, yet has more effect on the sound of his system than does any single component in that system? Answer: His listening room.

Question: What is it that almost every audiophile takes for granted, yet has more effect on the sound of his system than does any single component in that system? Answer: His listening room.

It was eight years ago that I first met Aalt Jouk van den Hul. I was visiting Ortofon in Denmark, and, with a group of hi-fi journalists from all over Europe, was traveling by bus to visit the cartridge-production facility in the far south of that country. Bus journeys are not my ideal way of passing time; naturally I gravitated to the rear of the bus, where bottles of Tuborg were making their presence felt. One journalist, however&mdash;a pixieish fellow hailing from The Low Countries&mdash;resisted the blandishments of the opened bottles. Producing a sheath of black-and-white glossies from his briefcase, he announced that he had just developed the ultimate stylus profile!

It was eight years ago that I first met Aalt Jouk van den Hul. I was visiting Ortofon in Denmark, and, with a group of hi-fi journalists from all over Europe, was traveling by bus to visit the cartridge-production facility in the far south of that country. Bus journeys are not my ideal way of passing time; naturally I gravitated to the rear of the bus, where bottles of Tuborg were making their presence felt. One journalist, however&mdash;a pixieish fellow hailing from The Low Countries&mdash;resisted the blandishments of the opened bottles. Producing a sheath of black-and-white glossies from his briefcase, he announced that he had just developed the ultimate stylus profile!

It was eight years ago that I first met Aalt Jouk van den Hul. I was visiting Ortofon in Denmark, and, with a group of hi-fi journalists from all over Europe, was traveling by bus to visit the cartridge-production facility in the far south of that country. Bus journeys are not my ideal way of passing time; naturally I gravitated to the rear of the bus, where bottles of Tuborg were making their presence felt. One journalist, however&mdash;a pixieish fellow hailing from The Low Countries&mdash;resisted the blandishments of the opened bottles. Producing a sheath of black-and-white glossies from his briefcase, he announced that he had just developed the ultimate stylus profile!

It was eight years ago that I first met Aalt Jouk van den Hul. I was visiting Ortofon in Denmark, and, with a group of hi-fi journalists from all over Europe, was traveling by bus to visit the cartridge-production facility in the far south of that country. Bus journeys are not my ideal way of passing time; naturally I gravitated to the rear of the bus, where bottles of Tuborg were making their presence felt. One journalist, however&mdash;a pixieish fellow hailing from The Low Countries&mdash;resisted the blandishments of the opened bottles. Producing a sheath of black-and-white glossies from his briefcase, he announced that he had just developed the ultimate stylus profile!

It was eight years ago that I first met Aalt Jouk van den Hul. I was visiting Ortofon in Denmark, and, with a group of hi-fi journalists from all over Europe, was traveling by bus to visit the cartridge-production facility in the far south of that country. Bus journeys are not my ideal way of passing time; naturally I gravitated to the rear of the bus, where bottles of Tuborg were making their presence felt. One journalist, however&mdash;a pixieish fellow hailing from The Low Countries&mdash;resisted the blandishments of the opened bottles. Producing a sheath of black-and-white glossies from his briefcase, he announced that he had just developed the ultimate stylus profile!