Spikes/cones and microphones...
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This is a pretty limited comparison. I relied on the reviews of others before deciding to try a Mullard/Holland GZ34 in place of my stock Sovtek 5U4G in my stock Woo Audio WA6. (I should have noted the name of the Head-Fi.org member that compared about eight rectifiers and came up with the GZ34. Buddy, whoever you are, I owe you a beer.
Hi,
I have a very entry level system and am curious about the most logical steps to take in upgrading it. I don't have tons of money, so upgrades will probably take place one component at a time.
At the moment I have:
Onkyo TX-8222 receiver
Onkyo DX-7555 cd player
Mordaunt Short Avant 902i bookshelf speakers (on stands)
I also like using lossless audio from my Macbook. At the moment I send them through a VERY budget DAC - Firestone Audio's Fubar II.
Sorry for the blatant self-promotion but I've written about Bach's influence on the Nobel laureate Coetzee, especially on his latest 'metafictional novel,' DIARY OF A BAD YEAR. Would have loved to have posted in this thread, but the rant went on a bit long...
If we couple our speakers to the floor with spiked stands, that is to (in part) keep the speaker cabinet still, thus allowing the drivers to "speak" with less iinterference from a moving cabinet - right?
If so, then shouldn't microphones be similarly stabilzed? In concert or in studios, the mic on the singer or instruments is often visibly moving. I would think that, at the least, there would be a Doppler effect there, since the mic is moving towards or away from the sound wave source. Make sense?