Some people complain that the "Vote" questions aren't serious enough. Okay, what would <I>you</I> like to find out about the magazine's readers? Give us your suggestion for a <I>Stereophile</I> poll.
I needed to control hi-freq noise from the ceiling corners. I affixed 1 ft. square cardboard type egg trays with pushpins - two trays per front corner on the walls and one in each rear corner (rear wall). I only had six trays and I have a drop ceiling with a somewhat textured surface, so I felt I could forego placing them on the ceiling. The effect was well beyond my expectations. Photo is posted in DIY Projects gallery.
Hello everybody,
I'm now a happy owner of a Rega Apollo.
Lately I could notice some dust deposited around the mechanism and around the lenses.
Despite my nickname, I try to keep the area around the gear as clean as possible!
I have no probs at the moment: the micro-fluff is very little, but it still makes me sort of uncomfortable.
I checked the manual and no maintenance is normally needed. If necessary Rega recommends to bring the CD player to an official dealer.
My Ducati requires an expensive laser device too tension its' cam belt by measuring the belts resonant frequency when the belt is plucked. The spec is 110Hz +/-5Hz.
So why not break out my laptop running TrueaudioRTA (spectrum analyzer) and a microphone? Didn't know if the S/N would be good enough, or if the peak would be narrow enough to provide the resolution required.
It worked fantastic, nice big amplitude with a narrow bandwidth, and it was repeatable.
I'm still amazed when theory and practice agree.
I thought that I had set up the turntable properly, but I clearly have not. When I try to play a record and position the needle over the record, the needle slides to the right, off of the record. How do I fix this? The counterweight or something needs to be adjusted, but if I have it float level with the record, it slides off, if I have it set up so that it rests as low as it can go, it is too low. The manual is of no use to me. Thanks in advance.
I have just been gifted a pair of Revel Ultima Studio floor standing speakers which after a little research appear to be worth more than my automobiles. I am a long time music lover but new to the high end Hi-Fi realm. I've been told I will need power purification, pre-amps and power amps. The local sound guy recommends I sell them telling me "If you have a Ferrari and can't afford the tune-up don't drive the car." Hoping to get some thoughts or recommendations on aquiring the needed equipment at reasonable costs. I don't really know where to begin so any advice will be helpful!
Is this a return to "Advent" type foam surround? Is this speaker just weird for weird sakes? http://www.stereophile.com/images/home45.jpg 
I like a lot of things about Stereophile. JA's measurements. The thought-provoking "As We See It" column which kick-starts each issue. But I've come to look forward to Art Dudley's column with regularity. Sure my interests kind of align with his audio interests, but more than anything, he's just a flat-out good "writer." Sometimes I'm startled by the quality of the prose in some of his "Listening" columns. This following paragraph starts his column #61 -
Anyway, I went to pick up some bits this morning from a chap and he allowed me to 'audition' his rig...eh...Wilson Watt Puppies on McIntosh amp with Premier (?) power conditioner, McIntosh CD (server I think?)...and cables which none were less than