
Why true spatial audio doesn
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In my opinion some of the best jazz recordings were made at VanGelder studios in New Jersey and this recording is no exception. Sonny Stitt is fast becoming my favorite sax artist. His hard bop style and exceptional melodies are a pleasure to listen to in hi-fi. Team up Sonny with this ensemble and you have a recording that is both a pleasure a listen to and exceptional on any good system. I highly recommend this disk *****
Shearwater is one of the few bright spots on today's popular/rock music scene. Their latest recording, "Rook", is one of the finest releases of 2008. Although, at under 35 minutes, the recording is short by today's standards, it is 35 minutes of shear joy. Intelligent lyrics coupled with inventive music and topped off with high quality sound. What's not to like?
Hello audio freaks,
since more as 30 years I'm working in audio area, hear many loudspeaker reproductions of formidable tonal accuracy. But increasingly the discernment arise, true spatial depiction never happen by conventionally loudspeaker reproduction. Each primary source causing hundreds of mirror sources in all possible positions beyond the recording room walls, no chance for recreate such complex spatial pattern by some uncertain positioned phantom sources between a small numbers of reproduction channels.