Just a clarification

Hey guys, I am hoping that you may be able to offer me some advice and possibly direction.

I am looking to upgrade my speakers in a system that serves double duty (2-channel/home theater)

I currently have a Rotel RSX-1057 driving 4 NHT SuperZeros, a SuperCenter with a NHT SW2Pi sub.

While it is a dual use system, I would prefer to focus on creating a system that I will love to listen to music on and be happy with for surround sound/HT.

Let me describe my current setup in detail and try to articulate what I do not like about it.

For the first time ever I'm setting up a dedicated listening room. Previously, speaker location/listening location was pretty much dictated by the room. Now I have a lot more freedom in placement but have a question about how to do so. RealTraps has a set of tones available on their web site in 10Hz steps from 10-300Hz. When playing them back the first time with the way I initially placed the speakers/listening position I found that in general, the tones between 50Hz and 110Hz were way down in volume compared to those above and below that range. Not equally down but down just the same.

Doing course work in Broadcast Production Technology(another useless degree to add to my useless voice performance degree! )

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One of my professors wants a list of some of our favorite cinematography examples.. only thing is.. i know nothing about this subject.

My list so far..

Koyaanisqatsi

Dead Man

Le fils de l'epicier

Days of Heaven

Baraka

Pi?

jesus. does my list suck? help me out here. what do yall like?

For those of us who are NOT buying the Beatles' Box Set, in what order should we begin to sample the Beatles' Remasters? I would defer to those of you who are really "fans" to know which discs to buy first, that you consider to be the band's best work.

Damnit..

best producer ever.

Mercury Living Presence==bliss. Golden Ears.

another good one done gone..

http://www.nytimes.com/2009/09/26/arts/music/26larrocha.html?_r=1&hp

Oh, man. We're losing so many good ones. On Spanish repertoire, she had no equal, and her Mozart was always elegant and shapely. But the most surprising thing about her was that with her tiny, plump hands, she could knock out Rachmaninoff like there was a devil inside her...