http://www.nytimes.com/2009/09/26/arts/music/26larrocha.html?_r=1&hp
Oh, man. We're losing so many good ones. On Spanish repertoire, she had no equal, and her Mozart was always elegant and shapely. But the most surprising thing about her was that with her tiny, plump hands, she could knock out Rachmaninoff like there was a devil inside her...
http://www.nytimes.com/2009/09/26/arts/music/26larrocha.html?_r=1&hp
Oh, man. We're losing so many good ones. On Spanish repertoire, she had no equal, and her Mozart was always elegant and shapely. But the most surprising thing about her was that with her tiny, plump hands, she could knock out Rachmaninoff like there was a devil inside her...