A reader who asked to remain anonymous wrote to tell us the results of some tests he saw conducted on one of our top-rated loudspeaker systems. Frequency-response checks showed that the system had virtually no deep bass, a midbass peak, a midrange slump, and a high-end rise. Further checks had shown gross distortion at input levels of over about 6W, and a definitely limited (although adequate for Row-M listening) maximum output-level capability. Said reader then went on to ask how we could possibly consider such a speaker to be one of the best available.

A reader who asked to remain anonymous wrote to tell us the results of some tests he saw conducted on one of our top-rated loudspeaker systems. Frequency-response checks showed that the system had virtually no deep bass, a midbass peak, a midrange slump, and a high-end rise. Further checks had shown gross distortion at input levels of over about 6W, and a definitely limited (although adequate for Row-M listening) maximum output-level capability. Said reader then went on to ask how we could possibly consider such a speaker to be one of the best available.

Can a piece of studio gear find happiness on an audiophile's equipment stand? More important, can an audiophile derive satisfaction from its sound?

Can a piece of studio gear find happiness on an audiophile's equipment stand? More important, can an audiophile derive satisfaction from its sound?

Can a piece of studio gear find happiness on an audiophile's equipment stand? More important, can an audiophile derive satisfaction from its sound?

Can a piece of studio gear find happiness on an audiophile's equipment stand? More important, can an audiophile derive satisfaction from its sound?

Can a piece of studio gear find happiness on an audiophile's equipment stand? More important, can an audiophile derive satisfaction from its sound?

New York’s outdoor concert season is in full swing and I happened to catch a couple pretty wonderful shows, one free and just the opposite the other night.