"Turntable Wars" was the phrase used by Anthony H. Cordesman to head his review of the <A HREF="http://www.stereophile.com/turntables/586oracle">Oracle</A&gt;, <A HREF="http://www.stereophile.com/turntables/284sotastar/index2.html">SOTA</A&…;, and <A HREF="http://www.stereophile.com/turntables/384vpi/index2.html">VPI</A&gt; turntables in Vol.9 No.4. To judge from the <A HREF="http://www.stereophile.com/turntables/384vpi/index3.html">reaction of the manufacturers</A> at CES to this innocent phraseology, you would have thought that <I>Stereophile</I> had been warmongering, rather than publishing what were actually pretty positive opinions of the products concerned. So enraged was Jacques Riendeau of Oracle, and concerned that the record be put straight, that he insisted on a "right to reply" to AHC's review; as it happened, <A HREF="http://www.stereophile.com/interviews/1101ivor">Ivor Tiefenbrun</A> and Charlie Brennan of Linn (right in photograph, footnote 1), and SOTA's Rodney Herman (center in photo, footnote 2), also wanted to contribute to the debate, so a small crowd of illuminati gathered in Room 417 of the Americana Congress to commit opinions to tape. I held the microphone and clicked the shutter; Larry Archibald (left in photo) was there to lend the proceedings a businesslike air.

"Turntable Wars" was the phrase used by Anthony H. Cordesman to head his review of the <A HREF="http://www.stereophile.com/turntables/586oracle">Oracle</A&gt;, <A HREF="http://www.stereophile.com/turntables/284sotastar/index2.html">SOTA</A&…;, and <A HREF="http://www.stereophile.com/turntables/384vpi/index2.html">VPI</A&gt; turntables in Vol.9 No.4. To judge from the <A HREF="http://www.stereophile.com/turntables/384vpi/index3.html">reaction of the manufacturers</A> at CES to this innocent phraseology, you would have thought that <I>Stereophile</I> had been warmongering, rather than publishing what were actually pretty positive opinions of the products concerned. So enraged was Jacques Riendeau of Oracle, and concerned that the record be put straight, that he insisted on a "right to reply" to AHC's review; as it happened, <A HREF="http://www.stereophile.com/interviews/1101ivor">Ivor Tiefenbrun</A> and Charlie Brennan of Linn (right in photograph, footnote 1), and SOTA's Rodney Herman (center in photo, footnote 2), also wanted to contribute to the debate, so a small crowd of illuminati gathered in Room 417 of the Americana Congress to commit opinions to tape. I held the microphone and clicked the shutter; Larry Archibald (left in photo) was there to lend the proceedings a businesslike air.

"Turntable Wars" was the phrase used by Anthony H. Cordesman to head his review of the <A HREF="http://www.stereophile.com/turntables/586oracle">Oracle</A&gt;, <A HREF="http://www.stereophile.com/turntables/284sotastar/index2.html">SOTA</A&…;, and <A HREF="http://www.stereophile.com/turntables/384vpi/index2.html">VPI</A&gt; turntables in Vol.9 No.4. To judge from the <A HREF="http://www.stereophile.com/turntables/384vpi/index3.html">reaction of the manufacturers</A> at CES to this innocent phraseology, you would have thought that <I>Stereophile</I> had been warmongering, rather than publishing what were actually pretty positive opinions of the products concerned. So enraged was Jacques Riendeau of Oracle, and concerned that the record be put straight, that he insisted on a "right to reply" to AHC's review; as it happened, <A HREF="http://www.stereophile.com/interviews/1101ivor">Ivor Tiefenbrun</A> and Charlie Brennan of Linn (right in photograph, footnote 1), and SOTA's Rodney Herman (center in photo, footnote 2), also wanted to contribute to the debate, so a small crowd of illuminati gathered in Room 417 of the Americana Congress to commit opinions to tape. I held the microphone and clicked the shutter; Larry Archibald (left in photo) was there to lend the proceedings a businesslike air.

"Turntable Wars" was the phrase used by Anthony H. Cordesman to head his review of the Oracle, SOTA, and VPI turntables in Vol.9 No.4. To judge from the reaction of the manufacturers at CES to this innocent phraseology, you would have thought that Stereophile had been warmongering, rather than publishing what were actually pretty positive opinions of the products concerned. So enraged was Jacques Riendeau of Oracle, and concerned that the record be put straight, that he insisted on a "right to reply" to AHC's review; as it happened, Ivor Tiefenbrun and Charlie Brennan of Linn (right in photograph, footnote 1), and SOTA's Rodney Herman (center in photo, footnote 2), also wanted to contribute to the debate, so a small crowd of illuminati gathered in Room 417 of the Americana Congress to commit opinions to tape. I held the microphone and clicked the shutter; Larry Archibald (left in photo) was there to lend the proceedings a businesslike air.

"The victor belongs to the spoils."&#151;F. Scott Fitzgerald, <I>The Beautiful and the Damned</I>, 1922

"The victor belongs to the spoils."&#151;F. Scott Fitzgerald, <I>The Beautiful and the Damned</I>, 1922

"The victor belongs to the spoils."&#151;F. Scott Fitzgerald, <I>The Beautiful and the Damned</I>, 1922

"The victor belongs to the spoils."&#151;F. Scott Fitzgerald, <I>The Beautiful and the Damned</I>, 1922

"The victor belongs to the spoils."&#151;F. Scott Fitzgerald, <I>The Beautiful and the Damned</I>, 1922