<i>On a clear, bright day, when the blue of the sea rivals the blue of the sky, one sees the hawk, the eagle, the buzzard soaring above the still, hushed canyons. In summer, when the fogs roll in, one can look down upon a sea of clouds floating listlessly above the ocean; they have the appearance, at times, of huge iridescent soap bubbles, over which, now and then, may be seen a double rainbow. In January and February the hills are greenest, almost as green as the Emerald Isle. From November to February are the best months, the air fresh and invigorating, the skies clear, the sun still warm enough to take a sun bath.</i><br>
&#151Henry Miller, <i>Big Sur and the Oranges of Hieronymus Bosch</i>

For Christmas, my sister, Nerissa, received a set of <a href="http://blog.stereophile.com/stephenmejias/heartbeats_by_lady_gaga/">Hea…;, Lady Gaga’s flashy in-ear headphones. Nerissa was overjoyed&#151even moved to dramatic, rock star poses, sporting her latest fashion accessory&#151mostly because she loves Lady Gaga. I don’t think she expected the sound quality to have a great impact on her life.

I'm fortunate to own some very nice hi-fi gear: Different turntables, tonearms, and pickups for different records. Two pairs of really superb full-range loudspeakers. A choice of mildly exotic amplifiers&#151;my favorite combination of which (a stereo preamplifier and a pair of monoblock power amps) sells for a little over $21,000. The average American consumer would think that's insane.

<B>CARLA BLEY: <I>Carla's Christmas Carols</I></B><BR>
Carla Bley, piano, celeste; Steve Swallow, bass, chimes; Partyka Brass Quintet<BR>
WATT 35 (CD). 2009. Carla Bley, Steve Swallow, prods.; Gerard de Haro, Nicolas Baillard, engs. DDD? TT: 60:36<BR>
Performance ****<BR>
Sonics ****&#189;

As John Atkinson and I entered the room at THE Show in which darTZeel electronics partnered Evolution Acoustics loudspeakers, I was immediately struck by the fullness of the midrange. It was as though the system was opening its heart and welcoming us in. That's how warm and nurturing the sound was.

Twice this CES, I found rooms that were so striking that I suggested all the <I>Stereophile</I> brothers go take a look/listen. The first one was the Sumiko/Vienna Acoustics suite up on the 34th floor (I still can't get over how great the sound was in that room&#151;you can read Jason's more reserved take on the room <a href="http://blog.stereophile.com/ces2010/wien_wien/">here</a&gt;), and the second, for completely different reasons, was the Resolution Audio room.

Close-up of the retro-futuristic display graphics. Yes, they did line up an entire string of alphanumeric LED displays to match the holes carefully machined in the chassis.