everything stays the same, but completely different

ok...

with all the lore I could gather in my previous post regarding the purchase of a pair of speakers to pair a NAD c320 amp with... I took a walk to a nearby well reputed High end shop which is "Werner". In fact, and to be honest... I was just walking by and chose to step inside, instead of away. Anyway, I was there and my wife was there and a Kind employee was there also...

I blabbered out things as if I knew what I was blabbering about and amidst the blabbering the guy got the point, aimed and fired well below the floating line.

How's the SqueezeBox Touch at playing LossLess files

I'm seriously considering the SB as a receiver to digital-out to port files into the DAC of my Playback Designs MPS-5. I was almost ready to order based on Kal's review when I read several negative reviews at Amazon citing very poor performance at handling LossLess files. I have a mix of FLAC and LossLess files, so this would be a serious issue for me.

Kal, did you try the SB with any LossLess files?

Thanks,

Dave

Hip-Hop

sucks.

not!

i fell in love with jazz and hip-hop on the same night, where Tribe Called Quest and John Coltrane both walked into my life. What a lovely pairing - i'm sure the artistic rap super-group and the sax god would have loved to jam together. I mean, it was Ron Carter playing the bass on their record "Low End Theory" so they're most certainly down with the jazzbos .

anyway, just thought i'd share my thoughts.

Saturday Night at the Monkeyhaus, Part II

Saturday Night at the Monkeyhaus, Part II

The self-titled album by Guano Padano, released earlier this year by Important Records, is a joy. The band, an Italian three-piece (Alessandro Stefana, Zeno de Rossi, and Danilo Gallo), is joined by Alessandro Alessandroni (whistler, best known for his work in Ennio Morricone’s soundtracks), Gary Lucas (Captain Beefheart/Jeff Buckley guitarist), Chris Speed (clarinet player with Tim Berne, Uri Caine, and John Zorn), and Italian singer, Bobby Solo, who does a fine rendition of Hank Williams’ “Ramblin’ Man.” Awesome album; great sound, too.

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