Big bands died out back in the 1950s, right? They went away when the jitterbug faded and folks began dancing to music other than swing? And then real jazz fans departed when the bebop soloists came along and made big-band players look clumsy and quaint?
Looking Forward: Kieran Hebden, Steve Reid, and Mats Gustaffson’s Live at the South Bank
Sep 15, 2011
I’ve been playing games with myself, attempting to set limits and impose rules around my furious, nearly uncontrollable, record-buying spree. I told myself that for every dollar I spent on a record I would deposit a dollar into my savings account. (I tried it for a few days, but became bored. Saving is not nearly as much fun as record-shopping.) Then, a few weeks ago, after dropping a few hundred dollars during binges at Other Music and the Princeton Record Exchange, I told myself that I would impose a strict moratorium: No more records for me until after the New Year. With few exceptions, I had already purchased just about every new record I wanted, or so I tried to convince myself. But then the new Thundercat album hit stores and I had to have it. And then it was the new Girls record. How could I live without that?
Today, Peachtree Audio announced their new flagship asynchronous preamp/DAC, the Grand Pre, the first in a series of “Grand” products (a power amplifier and an all-in-one integrated amplifier will come later) and the first Peachtree component to have its design, final assembly, and final QC all take place in the US. For audiophiles hoping to "buy American," this should come as interesting news.
This story originally appeared at InnerFidelity.com
Long before I became professionally involved with headphones, the Koss Porta Pro was a great little portable headphone. In fact, it was one of the first headphones designed particularly for portable applications. It has remained relatively unchanged to this day ...
To celebrate today’s release of Girls’ sophomore record, Father, Son, Holy Ghost, the band will make an in-store performance at Grimey’s in Nashville, Tennessee, at 5pm on Friday, September 16. You won’t want to miss this. If you can’t make it to Grimey’s, you can still enjoy the show because this will be the very first nationwide in-store: The performance will be streamed live, one time only, across the websites of our most cherished, influential, and important independent record stores.
Fred Mills reviews Beirut’s new record, The Rip Tide, in the November issue of Stereophile, due to hit newsstands on October 18th. The album, released by Zach Condon's Pompeii Records, is in stores now. Here's Sunset Television’s video for the lead track, “Santa Fe.”