The big difference between car audio and home audio, explains WIRC Media's Micah Sheveloff, is car audio’s need to overcome ambient noise. In fact, to a large extent, it’s this simple requirement which dictates a system’s overall design. In the case of the Caprice, the system had to have enough power to overcome the car’s custom-built 2.25-inch stainless dual exhaust.

By this point in our conversation, Micah has already apologized for the noise a number of times.

“Let’s listen to the system for a bit and I’ll see if we can find some good roads,” Micah suggests. “Ready?”

Ahmed Gallab is perhaps best known for his work in Caribou, Of Montreal, and, most recently, Yeasayer, all bands which combine electronic elements with more organic sounds to get listeners thinking and moving on the dance floor. But Gallab is also keeping busy with his own project, Sinkane.

In collaboration with the clever people at Buzz Media, creative electronic duo, Javelin (Tom van Buskirk and George Langford), roamed the streets of Red Hook, Brooklyn, with samplers and mics in hand, and created an interesting new track called “By Hook or By Crook.”

A Spotify advertisement interrupts my listening. The ad is invisible, embedded in between the lines of my play queue. As it begins, a modern crooner soars over a twinkling piano. This is not the 311 I was just listening to. A voice very politely interrupts: “Hi, this is Bruno Mars.”

I need my riffage! Not ads!

Seconds later, a reminder pops up in my Microsoft Outlook program: “Rdio”