Quad II Classic Integrated amplifier

Quad II Classic Integrated amplifier

Given that Quad's founder, the late Peter J. Walker, wasn't around to design the Quad II Classic Integrated, the English firm relied instead on Tim de Paravicini, whose credits include the comparatively recent Quad II-eighty mono amplifiers and QC-twentyfour preamplifier (not to mention his own line of E.A.R./Yoshino electronics and countless other well-regarded products). It's with respect for both men that I say: In turning to Tim de Paravicini, Quad has probably chosen the closest approach to the original.

Luxman SQ-38u integrated amplifier

Luxman SQ-38u integrated amplifier

Let's not beat around the bush: this is what an amplifier is supposed to look like. The silver front panel contains over a dozen knobs and switches, yet somehow avoids seeming cluttered. The solid wood cabinet wouldn't look out of place next to Hugh Hefner's cognac decanter. And the controls! The SQ-38u is as full-function as they come ("as they used to come" would be closer to the truth), with a Balance knob, separate Bass and Treble Tone Controls, a low-frequency cutoff (aka "rumble") switch labeled Low Cut, a Mono/Stereo switch, and a mute button; plus switching and connectors for two pairs of loudspeakers. Everything but curb feelers.

Hi-Fi Expo Sophia

Hi-Fi Expo Sophia

The massive Clearaudio Statement (seen here: just the topmost 567 pixels) will be on display at Hi-Fi Expo Sophia in Bulgaria.

Thursday&#150Sunday, December 1–4: The second Hi-Fi Expo Sophia will take place at the Grand Hotel Sophia in Sophia, Bulgaria.

Hi-fi Hootenannies at Whetstone Audio

Hi-fi Hootenannies at Whetstone Audio

Look eye! Always look eye!

Friday, December 2, 6–9pm: Whetstone Audio (2401 East 6th Street, #1001, Austin, Texas) will host an evening of music with Bob Clarke of Profundo (Heed, Transfiguration, VivA, Trenner & Freidl, Silent Source) and Colleen Cardas of Colleen Cardas Imports (Unison Research, Opera Loudspeakers).

Brian Di Frank of Whetstone Audio says this is just “the first of many hootenannies” and he offers a warm invitation:

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