In his "Manufacturer's Comment" in response to my review of the original Music Reference RM-200 power amplifier in the April 2002 issue, designer Roger Modjeski admitted that being a manufacturer was not his first choice. "Frankly, I'd rather consult than produce," he claimed. "I'd rather be making a living doing stand-up comedy," I said to myself after reading his comment.

If an audiophile visiting an audio show in 1991 were to have been transported two decades into the future, at first he would not be aware of any difference: A two-channel system would be playing in a hotel room. But on closer inspection, he would notice that the CD player, the ubiquitous source 20 years ago, would be conspicuous by its absence. Yes, there might be a turntable—"Good to see that people are playing LPs in the future," he would think—but why is there a PC in the room?

Sunday, January 15, 5–9pm and Monday, January 16, 6–9pm: As a way to recuperate from the madness of the Consumer Electronics Show and with a hat tip to Devore Fidelity's popular Monkeyhaus listening parties, Pitch Perfect Audio (300 Brannan Street, Suite 209, San Francisco) will host their first “Greenhaus” events.

Clearly, my boss, Stereophile’s esteemed editor, John Atkinson, lost another bet.

Here we see him singing, furiously, at the Los Angeles and Orange County Audio Society’s 18th Annual Society Gala and Awards Banquet, held last weekend in the Grand Ballroom of the Buena Park Holiday Inn. He really hits his stride at about 40 seconds in. (Thanks to "The Audio Otaku" for capturing the magic.)