Jacksonville's very own House of Stereo, run by Bill Gibson, gave me my third opportunity to hear KEF's relatively new Blade loudspeaker ($30,000/pair). Coupled with Ayre electronics—Ayre MX-R monoblocks ($19,000/pair), Ayre KX-R preamp ($19,000), Ayre DX5 universal player ($10,000), and Ayre phono preamp ($2500)—an Oracle Mk.VI turntable with SME arm and Oracle cartridge ($13,000), and an assortment of Audience Au24 cabling and line conditioners, the system had a laid back and non-fatiguing presentation that just made you want to take off your shoes, lie back and chill. This was an exceptionally quiet and smooth system, especially on vinyl, and one that threw a huge and inviting soundstage.

It's always a good sign when the first room you enter at an audio show makes you happy that you're there. Better yet when the room is on the lobby level, and acts as a good feng shui portal to the 27 other rooms to follow.

Larry Diaz of Miami's High End Palace had put together a fine system whose sound was solid and a bit sweet.

When I arrived on the second floor the first day of AXPONA, the large open landing that had served as a reception area for exhibitors the night before had been transformed into a mellow entryway to sonic heaven. Paving the way on the keys was John Yurick, who was playing John Lennon's "Imagine" as I snapped his picture. Facing him were May Audio's CD display on the left, and Transcendental Meditation on the right. Note that the TM folks do not simply chant themselves to bliss in mantra land, they are also very connected on a cellular level.

With the sound of Jacoby Symphony Hall virtually hyped to life by the glowing accolades on its website and the praises of AXPONA's Steve Davis, I had to hear it for myself. Besides, I'd never heard either An-Lun Huang's Saibei Dance or John Corigliano's Oboe Concerto. I do recall, however, hearing Beethoven Symphony No.7 in A major at least once in my increasingly lengthy lifetime. (I'm being facetious, folks).