There's a nice symmetry in knowing that Liberty Audio Trading has been appointed the new Canadian distributor for Quad Electroacoustics: Years ago, Liberty's founder, the late Nizar Akhrass, was among the first to bring the line to North America. (Taiga LLC continues to represent Quad here in the States.) At SSI Liberty Audio demonstrated the entry-level Quad ESL-2805 ($10,000/pair). John Atkinson will be reviewing the ESL-2805 in the May issue of Stereophile.

Kudos to Doug Graham of Naim for bringing so much new music to Plurison Audio's suite at SSI. Especially interesting was the French singer Jehro's Cantina Paradise—seen here on Doug's Apple iPad, running Naim Audio's free controller app—which I intend to buy as soon as I get home.

Musicians and harmonica players of Montreal, take heed: You are all fair game for a painter named Patrick Larrivee, whose unambiguously available work filled one hall of the Hilton during SSI 2012. Unfortunately, it was the hall that led to my room.

One of the unofficial highlights of this year's SSI was the by-invitation-only party given by Montreal dealer Coup de Foudre. The genial hosts were Jennifer Cytrynbaum (Store Manager) and Graeme Humfrey (Product Specialist, Store Owner, jazz guitarist, and a recording engineer of 20 years' experience). They had great food and drinks, and they did their utmost to make sure that everyone has a good time. The picture shows Jennifer in her element, along with Wilson’s Peter McGrath (left), Wavelength’s Gordon Rankin (center) and Graeme Humfrey (far right).

What would a high-end audio store party be without some live music? The musicians playing jazz at the Coup de Foudre party were keyboard artist Marie Claire Durand and bass player Martin Hezlop. They're also Graeme Humfrey's recording clients.

AudioStream.com's Michael Lavorgna explains all the intricacies of computer audio.

VTL's Luke Manley was one of the many industry luminaries at the Coup de Foudre party.Through the control-room window of Graeme Humfrey's studio can be seen part of Graeme's large collection of classic pro-audio gear.

Retailer Coup de Foudre and Canadian distributor Tri-Cell built one of their exhibits around a pair of Joseph Audio Pulsar loudspeakers ($7000/pair, to be reviewed in the June Stereophile by Mikey Fremer), driven by the 70Wpc Brinkmann Audio Vollverstarker integrated amplifier (also $7000), with a MacBook Pro and a Wavelength Audio Brick D/A converter ($2200) as the digital source. As always, Jeff Joseph's room setup was difficult to fault, and the system was smooth, colorful, and dynamic: Listening to the Gypsy swing music of the Howard Fishman quartet, I was happier than I'd been all day.

Working alongside Steve Silberman of AudioQuest, Wavelength Audio’s Gordon Rankin offered a series of talks on computer audio for Mac users, while Jim Hillegass, the founder and CEO of JRiver Inc., offered corresponding seminars for users of Windows-based computers. My schedule allowed me to hear only a brief portion of Gordon Rankin’s Saturday seminar—and, regrettably, none of Jim Hillegass’s talks—yet even so, I learned things I’d never come close to knowing before. (An exemplary gem: When it comes to RFI rejection, Apple’s laptop computers are considerably better made than the company’s desktop models.)

In years past, the Montreal record shop Aux 33 Tours operated a generously sized retail booth at SSI, and I invariably helped them to lighten their vinyl load. I was disappointed that they weren't selling records at this year's show—until I noticed their display in the Hilton's hallway: All day Friday and Saturday, they offered a free shuttle service for people who wished to visit their store. (Sadly, the time was too short for me to take that ride.)