Peachtree DAC•iT D/A converter

Peachtree DAC•iT D/A converter

It's common knowledge that manufacturers tune the sound of each DAC model. There are the facts of product design and marketing: inputs, outputs, case materials, price points. After that, what's left are the trade-offs of different circuit designs and filter options, which are chosen with care—each has a subtle yet telling effect on a DAC's sound. Most designers try to go from bits to analog with minimal deviation from perfect. But when you look at the measurements and listen closely, you realize that perfect is elusive. One has to make choices.

Listening #113

Listening #113

In last month's column we met May Belt, whose contributions to domestic audio—made alongside her husband, designer Peter W. Belt—all have to do with reflexive perception: conditions under which a listener's comprehension of music can be altered, given the presence or absence of certain nonsonic stimuli.

The Audio Society of Minnesota Conducts Cable Comparison Tests

The Audio Society of Minnesota Conducts Cable Comparison Tests

Between listening sessions, cabled were switched.

Each monthly issue of Stereophile includes an updated calendar of all the different hi-fi events taking place across the United States. We also maintain this calendar on our Facebook Events page. One of the events that really caught our eye was the Blind Cable Comparison Tests performed by the Audio Society of Minnesota, which took place on Tuesday, April 17th. Here is the report as submitted by members of the Audio Society of Minnesota. The Society reported record crowds for this event. Hopefully, this spirit of questioning, discovery, and fun will spread to other audio events across the country

The Unofficial Dynamic Range Database

The Unofficial Dynamic Range Database

At the 2012 NYC hi-fi show, I was chastised by a random showgoer for using a “dynamic-less” recording as a reference in the Legacy room. Now with the help of the Unofficial Dynamic Range Database, I can find the dynamic range measurements of many of my favorite recordings, including the record ridiculed by one spiteful audiophile. Was he right about its dynamics?

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