Whether the subject is hi-fi equipment, films, restaurants, power tools, or condoms (see the April 2005 "Listening"), reviewing should be off-limits to the perennially unhappy. I'm reminded of that dictum by the flap over the recent film Identity Thief, which was savaged by reviewer Rex Reednot because the film is weak, but because its star, Melissa McCarthy, is heavy. Reed, whose career as the Paul Lynde of film reviewing was punctuated by a starring role in a flop called Myra Breckenridge, mentioned in his review McCarthy's size not once but numerous times, thus exposing himself as a bullying hack who wields his harshest criticisms not when they are merited but as unconscious expressions of his own personal anguish. Hate speech of any sort is the crayon of the unhappy; that is doubly true of people who write for a living.
Roy Bird's UK-based Chester Group, which currently produces the New York Audio Show, has announced the acquisition of Montreal's Salon Son et Image. While the show will continue to take place in Montreal's Hilton Bonaventure in late MarchMarch 2830 in 2014Sarah Tremblay, former co-producer of Montreal show with her husband, Michel Plante, will join the Chester Group team and assume overall management of both North American shows.
In addition, to avoid 2013's industry-taxing situation of the Montreal, Chicago, and New York shows taking place with only two or three weeks between each, the Chester Group has decided to move the New York show from April to September.
In the last 15 minutes, about 25 people have sent me a link to this article, so now I'll share it with you. For better or worse, whether we're discussing velour suits or Compact Discs, any discussion regarding death is most likely premature. I call for a death to the discussion of death.
Yet, here we go again, this time discussing "the death of the home stereo system." CNN reporter Todd Leopold paints it as the classic struggle between quality and convenience, and seems to think that convenience has finally delivered the knock-out punch.
This story originally appeared at InnerFidelity.com
Just another "big audio company joins the ranks of headphone makers" or something a bit more special? It's hard to get my hopes up with so many first stabs at making headphones resulting in mediocre introductions. Maybe I should just lower my expectations a bit.
Jenny Hval covers Paul Simon's "The Cool, Cool River," tours North America
Sep 27, 2013
Photo by Karl Edwin Scullin.
Released back in May, Jenny Hval's Innocence is Kinky, endures as one of my favorite records of 2013. I've played it countless times, and, in a few days, when Hval takes the stage at NYC's Mercury Lounge, I'll finally have the chance to see and hear the songs performed live.