Sony's contribution to the sub-$5000 system endeavour was a combination of the HAP-S1 Hi-Rez digital playback/amplifier/HDD unit ($999) and a pair of SS-HA speakers ($698/pair). As you can see from the picture, the setup was not ideal for listening.

Audio Physic's sub-$5000 system featured the Audio Physic Classic Compact $2000/pair), Ava Media server/ripper/storage ($1600, new at the show), and Ava Media Maestro-50 50Wpc digital amplifier ($525). All AVA Media products are made (not just designed) in the UK—unusual at this price level.

A system with true high-end audio credentials that came in just under the $5000 limit was one based on the Dynaudio X14 ($1500/pair), with electronics by Atoll (ST 200 streamer, $2000, IN 100SE integrated amp, $1450). This was one of the side-of-the-room setups, so the potential sound quality was difficult to judge, but I've admired the sound of the X14 before, and from what I know of Atoll equipment, this should be a good combination.

Avatar Acoustics' Darren Censullo brought to Montreal a variety of new iFi products, including a rack system that can hold up to four of the company's Micro-series products. Two versions are available: one without cables ($99) and the one shown here ($149), which includes two short cables and one long, wrap-around cable. In the foreground is another new iFi accessory: their in-line USB iPurifier ($99), which is said to be effective on DC power and digital signal alike.

Also new from iFi Audio is the first of their Nano-series products, the lithium-battery-powered iDSD Nano ($189), a 24/384 DAC that offers DSD processing in a remarkably tiny package. Contrary to the evidence on Darren Censullo's finger, it does not bite.

Experience says that one must wait in line to hear the MBL system at any hi-fi show, and SSI 2014 was no exception. Similarly unsurprising was the realistically vivid sound on tap, with levels of color and texture that, in a strange way, stood in contrast to the resolutely smooth, monochromatic appearance of their gear. (Maybe that's intentional?) This year I was entertained by a variety of musical excerpts, including a snippet of Beethoven's Piano Concerto 2, through MBL's C31 D/A converter/CD player ($9200), C11 stereo preamp ($8800), C21 stereo amp (9200), and 116 F loudspeakers ($29,000/pair), with Siltech cables and a generous sprinkling of Shun Mook Mpingo discs.

Mark Waldrep of AIX Records didn't bring to SSI any new releases, per se; instead, he brought along a renewed enthusiasm for debating the controversies within the high-resolution music community—and an invitation for showgoers to visit him on www.realhd-audio.com, where they'll find up-to-date news and views on all things HD, as well as a selection of free high-definition-audio sample files.

Evolution Home Entertainment's Saxe Brickenden—who was honored with a Lifetime Achievement Award during the SSI party—displays the Massfidelity Relay ($249), a combination Bluetooth receiver and 24-bit D/A converter intended for wireless streaming from your iPhone to your hi-fi.

Although their sign suggested that this was a passive display, the Blue Circle Audio table in the Pavillon du Canada was anything but. The always-colorful Gilbert Yeung offered visible and audible proof that his line of PLC Thingee power-line conditioners—with prices starting at $CAD220 each for the four-outlet versions in the foreground—effectively removed noise from household AC current. I was thoroughly impressed (not to mention entertained).

Speaking of companies that specialize in affordable audio cables, Quebec's BIS Audio was doing a very brisk business in the Pavillon du Canada.