Physical media market shares, from 19732024. From riaa.com/u-s-sales-database.
When the CD is gone, and it will be soon, we'll miss it. New CD releases are winding down (footnote 1). In the classical world, the era of big, bargain-priced boxes of CDsa somewhat recent developmentis ending because, after a long, slow descent, retail sales have fallen off a cliff in the past year or so. In pop and rock, if you discover a new band you like, you may or may not be able to buy a CD. Perhaps they'll self-publish a few to sell at concerts; there's a better chance they'll have LPs, assuming they can get time at a vinyl-mastering studio and a pressing plant, both of which are booked to the max. CDs, though, are an afterthought if they're even that.
Vinyl records will likely stay around indefinitely as a collector's artifact, but new CDs are fading fast. This is momentous. CD will be remembered as the last mainstream physical music format. Its passing marks the death of physical music media.
VTL shows the tried and true with dCS, Wilson, VPI, and Nordost
Jul 12, 2024
VTL and Wilson have delivered great sound at previous shows, and they did so again here in a set-up of which Peter McGrath, Brand Ambassador for Wilson Audio, was especially proud: VTL’s MB-450 III Signature monoblocks, TL7.5 III Reference preamplifier, and TP6.5 II.
Munich, redux: Western Electric owner Charles Whitener and Sales Director Trent Suggs together gave us a first look at Western Electric’s upcoming products. Dumb me failed to turn on my video until late in the presentation, but below you can catch a bit of Suggs’ presentation.
My reference preamp of the past few years, the D’Agostino Momentum HD, is ceding to the new D’Agostino Momentum model, to be called the C2 preamp. Termed “a complete departure from the HD,” the C2 derives from the superb, top-line D’Agostino Relentless preamp (review forthcoming).
Munich: Abbey Fonn / Nick Getz / Wilson XVX, D’Agostino Relentless, VPI Titan, Nordost, Stromtank
Jul 12, 2024
As one of Munich’s most prestigious distributors, Mansour Mamaghani’s Audio Reference again pulled out all the stops in a huge, glass enclosed central Atrium space that showcased more brands than there is space to list.
Unfortunately, there are always manufacturers at shows from which I fail to gather enough information to file a thorough report, so then I have to to follow up later. I finally caught up with Berlin-based cartridge manufacturer Tedeska Vinyl Groove Pick-Up Technology and their kind representative Francesa Lee, who explained their new wares, which were on static display at High End Munich.
Last month, I talked a bit about some of the new gear being exhibited at AXPONA, America's big hi-fi show, held near Chicago. Well, every year, as soon as that show is over, it's time to get ready for the Big Kahuna of audio shows, High End Munich.
Admittedly, I have never attended the big shows in Shanghai, Hong Kong, or Warsaw, but it would be hard to imagine either one outdoing Munich. The Warsaw show calls itself the second biggest show in Europe, deferring, presumably, to the Munich show. Munich is so big that it even has a sideshow, HiFi Deluxe, just down the road. HiFi Deluxe caters to exhibitors who got shut out of the big show, which despite its hugeness is oversubscribed. It can all become a bit overwhelming.
The main Stereophile crew covering the Munich showKen Micallef and Jason Victor Serinusdid all the heavy-duty legwork, posting highlights here. I toured the halls to see what was new, collecting the best, most Spin Doctorish things for this report. Here's a smattering.
Lizz Wright: Shadow; Shabaka Hutchings: Perceive Its Beauty, Acknowledge Its Grace; Julien Knowles: As Many, as One; KJ Denhert: The Evening News; Sun Ra: At the Showcase: Live in Chicago 19761977.