Recording of October 1984: Saint-Saëns & Rachmaninoff Piano Works

Recording of October 1984: Saint-Saëns & Rachmaninoff Piano Works

1084rotmjgh.jpgSaint-Saëns: Piano Concerto No.2
Rachmaninoff: Rhapsody on a Theme of Paganini

Bella Davidovich (pno), Concertgebouw Orchestra, Neeme Jarvi, cond.
Philips CD 410-052 2 (CD), 6514-164 (LP).

At last we're starting to realize some of the promise of CD from a major record company. This is the best CD recording I've heard yet from Philips. Both of these are virtuoso romantic works requiring a big piano sound and the stamina to produce it for 6–10 minutes at a stretch, which is probably why few lady pianists will tackle them. Bella Davidovich pulls these off with great aplomb.

To me, the Saint-Saëns is the better of the two, and is one of the truly great performances of this work. I grudgingly rate it as equal to my long-time favorite, the Rubinstein/Reiner performance on a 1958 RCA LP (LSC-2234), although I would have liked a little more TLC from Ms. Davidovich in the first movement. She seems a little rushed where an occasional lingering caress is indicated, but that is quibbling with what is a really rousing performance.

Ripping LPs with Pure Vinyl 4

Ripping LPs with Pure Vinyl 4

"Our goal is not just to create a portable digital copy of an analog LP; it is to honor the high-fidelity aspects of vinyl by making a digital copy that sounds indistinguishable from the original." So spoke Rob Robinson, PhD (above), creator of Channel D's Pure Vinyl and Pure Music Mac apps, at the start of a recent presentation members of the Bay Area Audiophile Society.

Revel Performa3 F208 loudspeaker

Revel Performa3 F208 loudspeaker

The year: 1999. The city: Minneapolis. While taking a break from partying with Prince like it was, well . . . that year, I wandered into a local audio emporium to see what new and exciting goodies were on display. Set up in a large listening room, attached to the latest Mark Levinson gear, were Revel's original Ultima Studio loudspeakers. I sat down, gave them a listen, and heard the best sound I had yet heard. For the first time, it seemed to me that I was listening to an audio system that played with low distortion and little coloration. Also, the system's wide dispersion threw a huge soundstage, engrossing me in the music in ways other speakers couldn't. I was hooked.
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