Founded in 1979 by Jacques Mahul, Focal—formerly known as JMlab and as Focal-JMlab—is one of audio's success stories. Beginning with a single speaker model produced in a small workshop in Saint Etienne, France, the company is still headquartered there, but has expanded to employ over 250 workers, making products exported to over 160 countries. All Focal products are engineered in France; only a few lower-priced multimedia models and headphones are assembled in the Far East.

The Estelon X ($70,000/pair) was on the cover of the TAVES 2014 Show Guide, with the printed admonition "Don't miss Estelon in the Yorkville East Suite, 4th floor." Since they were kind enough to provide direction to the demo room, I just had to comply . . .

Let's say you want a reliable means of distinguishing between original works of art and forgeries of same. One thing you wouldn't do—assuming you know anything about art, human perception, or the subtle differences between car wax and excrement—is apply to the problem a blind test: You wouldn't waste your time bringing people in off the streets, showing them pairs of similar but nonidentical images for 15 seconds each, and expecting your test participants to provide answers of any worth. You wouldn't do that because it's stupid.

I'm drawn to the idea of having a single transducer reproduce all the frequencies, but I appreciate the difficulties of this approach. Generally, the larger the driver, the better it is at reproducing low frequencies, and the worse at reproducing the highs. Thus, I was intrigued when I walked into the demo room of R2R Audio, a new Canadian manufacturer, which featured a single-driver system, with the driver having a 15" diameter, used in a dipole configuration. Can a driver like that reproduce anything other than the bass?

Editor's Note: On the 52nd anniversary of Stereophile's founding in 1962 by J. Gordon Holt, we are publishing this mea culpa "As We See it" essay from 1981, in which he explains why Vol.4 No.10 was almost six months late in mailing to subscribers. Gordon had relocated from the Philadephia suburbs to Santa Fe, New Mexico in 1978, and as he had explained in the April 1978 issue, the move had not gone well. "Much of the equipment necessary for testing got damaged or destroyed in transit," he wrote, adding that "What had promised to be a superb listening room turned out to have some sticky acoustical idiosyncrasies."